Pandemonium (USA)

[Horex]

Pandemonium - Heavy Metal Soldiers (1983) (Retrospect Records Edition 2011)















Year : 1983 (Retrospect Records Edition 2011)
Style : Melodic Heavy Metal , Melodic Hard Rock
Country : United States
Audio : 320 kbps + all scans
Size : 118 mb

Bio:

American heavy metal / hard Rock band formed 1978 in Fairbanks, Alaska, that moved to Los Angeles, in the early 1980s.The band released three albums on Metal Blade Records, and was featured on the first Metal Massacre record with Metallica, Ratt, and Steeler. Lead singer Chris Resch died of a heart attack in 2007.Arriving in Los Angeles in late 1980 with original drummer Kevin Fitzgerald, Pandemonium began playing the local club circuit, along the way playing shows with Ratt, W.A.S.P., Great White, Malice, Metallica, and other groups. After a couple of years the band had risen to weekend headlining status at famous clubs such as the Troubadour, the Whisky a Go Go and the Roxy. After appearing on the first Metal Massacre album with Ratt, Bitch, Steeler and Metallica, Pandemonium signed a three-album deal with Metal BladeRecords.1983 saw the release of their first album Heavy Metal Soldiers, increasing press coverage, good reviews, and the arrival of new drummer Glen Holland, later in Noize Toys and also known as Glen Söderling (W.A.S.P, 1987) and Tripp Holland in the band Engines of Aggression.During this time Pandemonium shared stages with bands such as Ratt, Metallica, Slayer, Quiet Riot, Black'N Blue, Rough Cutt, White Sister, Girlschool, and W.A.S.P. In mid-1984 the band played a sold-out show back in their home state of Alaska, opening for the Scorpions in Anchorage, on their Love at First Sting tour.Second album, Hole In The Sky was release late in 1985, on Metal Blade Records and featured new drummer Dave Basch. Engineered and co-produced by well known producer Bill Metoyer, this album had much better, heavier sound and received great reviews.During the next year, Pandemonium had moved up to headlining status at all of the major venues in the Los Angeles area, and also toured some, including shows all over California and in Las Vegas.Their third album, The Kill, also co-produced by Bill Metoyer, was released in early 1988 and featured new drummer Dave Graybill. The band shed their glam image to go along with the much heavier, Black Sabbath influenced sound of the new record. Many shows were played in the Los Angeles area to support it, including big LA shows headlined by Savatage, Kings X, Sanctuary, and Killer Dwarfs among others. After the departure of drummer Graybill in 1989, sensing the changing of the music scene, Pandemonium broke up in late 1989.David and Eric Resch moved to Seattle in 1990 and recorded a seven-song unreleased demo for a fourth album, playing clubs and recording as a trio, with new drummer Shane Wacaster. Ironically, the grunge movement of their new city, Seattle, made it clear that times had changed, so they chose to put together a cover/bar band that became popular, and played all over the North West for years. Singer Chris Resch moved back to hometown of Fairbanks, Alaska, in the 1990s and lived a happy, productive life working as a painter/drywaller, and riding dirtbikes and snowmobiles all over Alaska and the family "homestead" until he died in 2007, of a heart attack, at the age of 48.Eric Resch still lives in Seattle, owns a Karaoke business, and plays in a couple of cover/bar bands to this day. David Resch moved back to home town of Fairbanks in 2015, and also plays in a popular cover band, as well as working at a large musical instrument store, where he bought his first guitar in the late 1970s.In 2012, expanded versions of all three albums, on CD, with extensive liner notes, new photos, and unreleased bonus tracks were released on Retrospect Records. The label is now defunct, but copies are available on the internet and in record stores around the world. Negotiations are underway for another re-issue on a new label as of 2021.

Album:

The three brothers Resch are the crux of this early Alaskan four-piece originally known as Demon who, growing up in Fairbanks to find the scene there only so wonderful, sought the more motivational vista of L.A. and, with bassist Eric Resch and drummer Kevin Fitzgerald dropping out of school and doubtfully making their parents proud, loaded up their Ford Econoline van and moved there in ’81. Indeed, the city proved more their speed and fairly quickly they earned some buzz. Their prediction was an accurate one, for L.A. turned out to be their right place at the right time. Soon after, seeking not to abandon their moniker after learning of the UK band with the same name, Demon was enlarged to the more original Pandemonium.Pandemonium has their small place in history as one of the chosen bands owing fealty to the debut Metal Massacre compilation of ’82. “Fighting Backwards”, culled from their ’80 Demon demo, with its unrushed Witchfinder General-esque style, proved as formidable as any of the compilation’s other finds and lead to the band signing with its label, Metal Blade Records, which resulted in ‘83’s assuringly-titled Heavy Metal Soldiers.There within lies the album’s biggest problem - the title’s promise of metal to metal fans who’re looking to be pinned to the wall and just doesn’t deliver = let down city for those already awash in, well, just about any of the day’s then-modern metal, starting with primaries Priest, Sabbath, T. Sister, Maiden and Crue to the weakest Riot, Saxon, Accept, and Tygers of Pan Tang. The simple truth is more was expected from a band dubbed Pandemonium with an lp called Heavy Metal Soldiers, and I don’t think I speak only for myself here.Sooner or later, you realize the trick to enjoying (or at least accepting) this album is to take it for what it is and not what gleamed in your eye as you strode up to the check-out counter.Finding themselves shackled to glam scenery is not at all uncommon, yet cosmetically, of the four in the back cover shot, only blonde puffball drummer Glenn Holland gives the mascara-wearin’ willies. More importantly, other than cutesy song titles “Girls in Love”, “Little Lady Liar” and woeful “Kitten Mittens”, glam’s flash and fauna just aren’t there, at least not to any conspicuous extent (alright, I’ll give ya “Girls in Love” is more the sap sucker than not). It’s obvious the foundation of Heavy Metal Soldiers is clear and central hard rock that’s in apparent acceptance of further future hardening, however it seems to struggle at times while soaking up metal’s stepped-up sheen. Some habits die hard, but that doesn’t mean all the troops are addicts.Spirited “Kitten Mittens” and “This World”, live-steppin’ opener “Road I’m Traveling”, the burly title tune with its wily-played militaristic start, and the sturdy mid-paced “The Prey” soak up enough light metal to balance things out, and even the lies of “Little Lady Liar” are fairly enjoyable from a musical standpoint. The lengthy undertaking of “Radiation Day” is yer broader-ranging, industrious ‘idea’ song and clear cut finale. Collectively this is all halfway decent, listenable material with shortfalls that are nothing irregular, and if the title Rock n’ Roll Soldiers ended up plastered across the album jacket, the feeling of running through quicksand may not have seemed as prevalent.A routine search for weak links orange-alerts the rather scrawny and derivative vocals of Chris Resch, whose personal style graduated from the British new wave mid-high tenor academy so many other singers have attended. Also found is the link loosely holding the unsharpened production together, one that subsequently rubs the band’s mechanics dull and outdated, however the record’s overall amateur procession has to be blamed on its fairly mediocre songwriting.Again, save your disappointment for more important things and let Pandemonium live their metal-soldiering daydream, a vision that comes to life more with follow-up Hole in the Sky.Strangely, despite recording a three-track demo in ’82 of presumably updated material, the only throwbacks sheltered here are from the ’80 demo, and of the three, cool “Fighting Backwards” isn’t one of ‘em, plus it doesn’t make it easy to sound ’83 fresh.

Line-Up:

Chris Resch (R.I.P. 2007) - Vocals
David Resch - Guitars
Eric Resch - Bass, Vocals
Glenn Holland - Drums

Production:

Recorded At – Prime Track Studios
Mastered At – MCA Whitney Recording Studios
Cover – Dixon Jones
Engineer [Engineered By] – Mark Healy
Lyrics By – C. Resch (tracks: 2, 4, 5, 8, 12, 13), D. Resch (tracks: 1, 6, 7, 11), E. Resch* (tracks: 2, 3, 5)
Mastered By – Kevin Gray
Music By – C. Resch (tracks: 8, 13), D. Resch (tracks: 1, 6, 11), E. Resch* (tracks: 2 to 5, 7, 12)
Photography By [Back Cover Photo] – Marsha Blackburn
Producer [Produced By] – Pandemonium

Tracklist:

01. Road I'm Traveling 03:18
02. Heavy Metal Soldiers 04:17
03. Little Lady Liar 04:01
04. The Prey 02:42
05. Girls in Love 03:26
06. Kitten Mittens 02:36
07. This World 03:52
08. Radiation Day 06:08
09. Fighting Backwards 03:46 (Bonus Track)
10. The Battle (1980 demo) 03:38 (Bonus Track)
11. Kitten Mittens (1980 demo version) 02:35 (Bonus Track)
12. The Prey (1980 demo alternate version) 03:05 (Bonus Track)
13. Radiation Day (1980 demo alternate version) 06:34 (Bonus Track)




Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

[Horex]

Pandemonium - Hole In The Sky (1985) (Retrospect Records Edition 2011)















Year : 1985 (Retrospect Records Edition 2011)
Style : Melodic Heavy Metal , Melodic Hard Rock
Country : United States
Audio : 320 kbps + all scans
Size : 97 mb

Bio:

American heavy metal / hard Rock band formed 1978 in Fairbanks, Alaska, that moved to Los Angeles, in the early 1980s.The band released three albums on Metal Blade Records, and was featured on the first Metal Massacre record with Metallica, Ratt, and Steeler. Lead singer Chris Resch died of a heart attack in 2007.Arriving in Los Angeles in late 1980 with original drummer Kevin Fitzgerald, Pandemonium began playing the local club circuit, along the way playing shows with Ratt, W.A.S.P., Great White, Malice, Metallica, and other groups. After a couple of years the band had risen to weekend headlining status at famous clubs such as the Troubadour, the Whisky a Go Go and the Roxy. After appearing on the first Metal Massacre album with Ratt, Bitch, Steeler and Metallica, Pandemonium signed a three-album deal with Metal BladeRecords.1983 saw the release of their first album Heavy Metal Soldiers, increasing press coverage, good reviews, and the arrival of new drummer Glen Holland, later in Noize Toys and also known as Glen Söderling (W.A.S.P, 1987) and Tripp Holland in the band Engines of Aggression.During this time Pandemonium shared stages with bands such as Ratt, Metallica, Slayer, Quiet Riot, Black'N Blue, Rough Cutt, White Sister, Girlschool, and W.A.S.P. In mid-1984 the band played a sold-out show back in their home state of Alaska, opening for the Scorpions in Anchorage, on their Love at First Sting tour.Second album, Hole In The Sky was release late in 1985, on Metal Blade Records and featured new drummer Dave Basch. Engineered and co-produced by well known producer Bill Metoyer, this album had much better, heavier sound and received great reviews.During the next year, Pandemonium had moved up to headlining status at all of the major venues in the Los Angeles area, and also toured some, including shows all over California and in Las Vegas.Their third album, The Kill, also co-produced by Bill Metoyer, was released in early 1988 and featured new drummer Dave Graybill. The band shed their glam image to go along with the much heavier, Black Sabbath influenced sound of the new record. Many shows were played in the Los Angeles area to support it, including big LA shows headlined by Savatage, Kings X, Sanctuary, and Killer Dwarfs among others. After the departure of drummer Graybill in 1989, sensing the changing of the music scene, Pandemonium broke up in late 1989.David and Eric Resch moved to Seattle in 1990 and recorded a seven-song unreleased demo for a fourth album, playing clubs and recording as a trio, with new drummer Shane Wacaster. Ironically, the grunge movement of their new city, Seattle, made it clear that times had changed, so they chose to put together a cover/bar band that became popular, and played all over the North West for years. Singer Chris Resch moved back to hometown of Fairbanks, Alaska, in the 1990s and lived a happy, productive life working as a painter/drywaller, and riding dirtbikes and snowmobiles all over Alaska and the family "homestead" until he died in 2007, of a heart attack, at the age of 48.Eric Resch still lives in Seattle, owns a Karaoke business, and plays in a couple of cover/bar bands to this day. David Resch moved back to home town of Fairbanks in 2015, and also plays in a popular cover band, as well as working at a large musical instrument store, where he bought his first guitar in the late 1970s.In 2012, expanded versions of all three albums, on CD, with extensive liner notes, new photos, and unreleased bonus tracks were released on Retrospect Records. The label is now defunct, but copies are available on the internet and in record stores around the world. Negotiations are underway for another re-issue on a new label as of 2021.

Album:

Shining up metal armor the debut, Heavy Metal Soldiers, was too small to fit into, Alaska-cum-L.A.’s Pandemonium in a way find reinvention with Hole in the Sky. Here, this nine-song continuation of career shows moderately remarkable improvement in songwriting, urgency, tightness, production values, and general metal potency, and all this while looking way more goofily glam than when the debut hit the streets. Aurally, one could probably deduce it’s the same band after a slow double-take or two, but the four-piece (Holland’s gone with Dave Basch the new stool-warmer) at this point are only worth that much trouble to fans who actually got hooked on their errant hard rock. In the time since, the Resch brothers three had little choice but observe the scene through a wide-angle lens and pay attention to the assortment of bands they’ve been sharing stages with. What’s working and what’s dying? They could’ve realized the toughening of metal spirit would help them survive possible extinction. Or could a better way be going full-on glam. They’re in the right city.What Pandemonium attempt, however, is to splice together better parts of both fates. Hole in the Sky embraces metal and hard rock’s coinciding expanse of creative tolerance, from the hard-nosed and hairy to the handkerchief-dabbed and hair-teased on either side, and is a split that’s accomplished with fair success, being better blended than Spartan Warrior’s Steel n’ Chains, Crue’s debut and a few others.Off the bat, the first thing rivetheads are gonna wanna know is if they should expect another spinning disc of metal deprivation. The simplest way to answer is to drop the needle on either side’s kick-off - “Eye of the Storm” with its suspenseful toil or “Evil Face” with its power metal infusion – and hear the sparks fly. Individually these specimens collect more honest metal than the poor debut’s entirety, and the fact that its disposition smokes like a grease fire should warrant some drinks on the house bought by a whole lotta doubters, yours truly included. Lively, sap-free rocker “Look of Death” and the surly-paced intimidation of “Imprisoned by the Snow” take up arms on the same side of the moat.The other end of this spectrum addresses yer bouncy, hair-tousled, video-destined commercial yak – “Don’t Touch That Dial”, “Nothing Left to Say”, and “Imagination” - that, due to its newly-exceptional playability and charm provided by simultaneous upgrades in production and songwriting, associates more directly yet with the professionally-sharp sequins of dreaded butt rock. I can’t really say these tracks are deserving of acceptance, ‘cos they aren’t unless this is the group’s identity you’re interested in romancing.Stuck floating in the moat on a shattered wedge of drawbridge is the odd cover of second string Canadian act, Trooper, “Boys in the Bright White Sports Car”, meanwhile “After the Freeze” plunges the disc’s end into a short, yet cool piano overture frozen by backdrop wind.HITS spot welds the debut’s known weak links, most notably Chris Resch’s pipes which, while remaining loyal to their original upper-mid register, strut more confidently with lean, malleable bulk and heightened style. A production that’s eighty times better predictably liberates the music’s smoother sheen, classing it up to meet the sought after degree desired by MTV.Hands down, Hole in the Sky even with its split screen persona is more appealing than the uncurved poverty line of Heavy Metal Soldiers. 'Nuff said.

Line-Up:

Chris Resch (R.I.P. 2007) - Vocals
David Resch - Guitars
Eric Resch - Bass, Vocals
Dave Basch - Drums

Production:

Recorded At – Track Record
Mixed At – Track Record
Cover [Front Cover Painting By] – Dixon Jones
Engineer [Engineered By] – Bill Metoyer
Liner Notes – David Resch
Lyrics By – Chris (tracks: 1, 2, 5, 6, 8), David (tracks: 3, 6), Glenn Holland (2) (tracks: 4), Pandemonium (6) (tracks: 4)
Music By – David (tracks: 1, 3, 6, 8), Eric* (tracks: 1 to 3, 5, 6, 8), Glenn Holland (tracks: 4), Pandemonium (6) (tracks: 4)
Photography By [Photo By] – JAI, Kristen A. Dahline
Producer [Produced By] – Pandemonium (6)
Written-By – Brian Smith (tracks: 7), Ra McGuire (tracks: 7)
Written-By, Performer [Played By] – Chris (tracks: 9)

Tracklist:

01. Eye of the Storm 03:22
02. Look of Death 03:31
03. Imagination 03:54
04. Don't Touch That Dial 05:39
05. Evil Face 04:26
06. Nothing Left to Say 03:43
07. Boys in the Bright White Sports Car (Trooper cover) 02:39
08. Imprisoned by the Snow 05:16
09. After the Freeze 00:55 instrumental
10. Eyes of Science (1982 demo) 03:41 (Bonus Track)
11. Difference of Opinion (1982 demo) 03:11 (Bonus Track)




Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

[Horex]

Pandemonium - The Kill (1988) (Retrospect Records Edition 2011)















Year : 1988 (Retrospect Records Edition 2011)
Style : Melodic Heavy Metal , Melodic Hard Rock
Country : United States
Audio : 320 kbps + all scans
Size : 107 mb

Bio:

American heavy metal / hard Rock band formed 1978 in Fairbanks, Alaska, that moved to Los Angeles, in the early 1980s.The band released three albums on Metal Blade Records, and was featured on the first Metal Massacre record with Metallica, Ratt, and Steeler. Lead singer Chris Resch died of a heart attack in 2007.Arriving in Los Angeles in late 1980 with original drummer Kevin Fitzgerald, Pandemonium began playing the local club circuit, along the way playing shows with Ratt, W.A.S.P., Great White, Malice, Metallica, and other groups. After a couple of years the band had risen to weekend headlining status at famous clubs such as the Troubadour, the Whisky a Go Go and the Roxy. After appearing on the first Metal Massacre album with Ratt, Bitch, Steeler and Metallica, Pandemonium signed a three-album deal with Metal BladeRecords.1983 saw the release of their first album Heavy Metal Soldiers, increasing press coverage, good reviews, and the arrival of new drummer Glen Holland, later in Noize Toys and also known as Glen Söderling (W.A.S.P, 1987) and Tripp Holland in the band Engines of Aggression.During this time Pandemonium shared stages with bands such as Ratt, Metallica, Slayer, Quiet Riot, Black'N Blue, Rough Cutt, White Sister, Girlschool, and W.A.S.P. In mid-1984 the band played a sold-out show back in their home state of Alaska, opening for the Scorpions in Anchorage, on their Love at First Sting tour.Second album, Hole In The Sky was release late in 1985, on Metal Blade Records and featured new drummer Dave Basch. Engineered and co-produced by well known producer Bill Metoyer, this album had much better, heavier sound and received great reviews.During the next year, Pandemonium had moved up to headlining status at all of the major venues in the Los Angeles area, and also toured some, including shows all over California and in Las Vegas.Their third album, The Kill, also co-produced by Bill Metoyer, was released in early 1988 and featured new drummer Dave Graybill. The band shed their glam image to go along with the much heavier, Black Sabbath influenced sound of the new record. Many shows were played in the Los Angeles area to support it, including big LA shows headlined by Savatage, Kings X, Sanctuary, and Killer Dwarfs among others. After the departure of drummer Graybill in 1989, sensing the changing of the music scene, Pandemonium broke up in late 1989.David and Eric Resch moved to Seattle in 1990 and recorded a seven-song unreleased demo for a fourth album, playing clubs and recording as a trio, with new drummer Shane Wacaster. Ironically, the grunge movement of their new city, Seattle, made it clear that times had changed, so they chose to put together a cover/bar band that became popular, and played all over the North West for years. Singer Chris Resch moved back to hometown of Fairbanks, Alaska, in the 1990s and lived a happy, productive life working as a painter/drywaller, and riding dirtbikes and snowmobiles all over Alaska and the family "homestead" until he died in 2007, of a heart attack, at the age of 48.Eric Resch still lives in Seattle, owns a Karaoke business, and plays in a couple of cover/bar bands to this day. David Resch moved back to home town of Fairbanks in 2015, and also plays in a popular cover band, as well as working at a large musical instrument store, where he bought his first guitar in the late 1970s.In 2012, expanded versions of all three albums, on CD, with extensive liner notes, new photos, and unreleased bonus tracks were released on Retrospect Records. The label is now defunct, but copies are available on the internet and in record stores around the world. Negotiations are underway for another re-issue on a new label as of 2021.

Album:

If this album were boiled down to its best tracks, I'd give that EP's worth of material a 90% or so; it's catchy, no-nonsense heavy metal at its best. Simple enough to not require much effort to enjoy, yet varied enough to not get boring after countless listens. Singer Chris Resch sounds a bit like Axl Rose, but with less edge to his voice, and he fits the music perfectly. His two brothers/bandmates (yes, three brothers and a drummer make up the band) provide backing vocals as well, and as might be imagined they blend wonderfully together. A metal Hanson? Obviously there is NWOBHM influence, but The Kill has a flavor that's distinctly American; that sort of rockin' flair heard in bands like Warrior or Vicious Rumors, but without the power metal trappings those bands had. Riot's Fire Down Under made modern (for 1988, anyway) might also be a good comparison. The band hails from Alaska, and there is a definite sort of colder, "distant" feel to the music, especially on the aptly-titled "Last Star". The mood has a general melancholy feel to it, despite the pace being upbeat most of the time. The production is great, with the guitars having a slight fuzzed-out sound to them and everything right where it ought to be in the mix. Really, there's not much more to the band; songs are catchy, with hooks constantly catching you just before the last one loses its pull, bass licks popping in at just the right intervals, a new riff coming in as last one gets old, and no song outstaying its welcome.Well, not quite. The first four songs are awesome, and after "Madness Ascending" you're eagerly awaiting the next track; unfortunately that track is a cover of Golden Earring's "Radar Love", which in one of those bizarre metal historical coincidences Omen also covered that same year on Escape to Nowhere, and so did the little-known Repression over in Germany...I have no idea why, it's not a good song. Pandemonium do a respectable job of "metallizing" it, but polish a turd and all you've got is a shiny turd. Aggravating the problem further is that it's the longest fucking song on the album, clocking in at just over five and a half minutes; Pandemonium's strength lay clearly with shorter, catchy songs, so this choice is just incomprehensible to me. SKIP! "Driving Away" is short at least, but pretty weak; sort of a banal rock song that doesn't ever really do much or even attempt the mood and catchiness that made their good songs so good. SKIP! Ahhhh, and with a sigh of relief we come to the title track; it opens with a great riff, and we're back in catchy heaven. The pounding verses tell of a poor kid getting drafted and sent off to Vietnam or somewhere and told to kill, but he doesn't have the will...anyway, the bouncy main riff contrasts well with the jackhammer verse chords, showing Pandemonium understands songwriting quite well when they try."When it Comes to the End" is sort of a ballad, it's not horrible but not very good either. Sort of sentimental and cheesy; possibly an attempt at a single, aiming at the 80s hair metal demographic. Even this is way too heavy and fast for that, though (luckily for us). I don't skip it every time. Up next is a workmanlike cover of Black Sabbath's "Snowblind", which they speed up a tad too much. The production does make the song sound good though, and Resch's voice has a kind of Ozzy-ish nasal quality to it. The Resch on bass does a good job on the licks, too. Anyway, it's one of those covers that you can take or leave; doesn't butcher the original, but doesn't come close to its quality either. Black Sabbath covers rarely do. The final track is a bit iffy, better than the ballad but probably the worst of their good songs. If they had ended the album on a strong note I would've given the album a better score, but as it stands the entire second half has only one really good song up to the standard the first four set. Five really good songs, one decent song, one mediocre ballad, one mediocre cover, one poor song, and one shit cover; as I said, those five songs would've made a fucking killer EP, but the whole thing ends up rather anticlimactic by the end.

Line-Up:

Chris Resch (R.I.P. 2007) - Vocals
David Resch - Guitars
Eric Resch - Bass, Vocals
Dave Graybill - Drums

Production:

Recorded At – Stagg Street Studio
Recorded At – Preferred Sound
Recorded At – Track Record
Cover [Cover Art] – James Vincent Nelson
Engineer [Engineered By] – Bill Metoyer
Engineer [Second Engineers] – Brian Carlstrom, Ken Paulakovich, Pete Magolino, Richard McIntosh
Graphics – Ralph Bland Design Group
Liner Notes – David Resch
Logo [Logo Designed And Drawn By] – Dave Graybill
Lyrics By – Chris Resch (tracks: 2, 3, 6, 7, 10), David Resch (tracks: 4, 10), Eric Resch (tracks: 1, 8)
Lyrics By [Additional Lyrics By] – Dadie Kesch (tracks: 1)
Music By – Chris Resch (tracks: 4), David Resch (tracks: 3, 4, 6, 7, 10), Eric Resch (tracks: 1 to 4, 6 to 8, 10)
Photography By [Cover Photos] – JAI Productions*, Kristen Dahline
Producer [Produced By] – Bill Metoyer, Pandemonium
Rhythm Guitar [Additional Rhythm Guitar] – Eric Resch (tracks: 1, 8)

Tracklist:

01. Your Evil Ways 02:58
02. Cold Night 03:16
03. Last Star 04:26
04. Madness Ascending 03:45
05. Radar Love (Golden Earring cover) 05:37
06. Driving Away 02:46
07. The Will to Kill 03:30
08. When It Comes to the End 03:42
09. Snowblind (Black Sabbath cover) 04:39
10. Hell Is the Last Place 03:08
11. Pandemonium (1982 demo) 03:49 (Bonus Track)




Download links for all albums only on our blog here: http://goodmetalandhar.do.am/