Year : 2024
Style : Retro Glam Rock , Female vocals
Country : United Kingdom
Audio : 320 kbps + all scans
Size : 102 mb
Bio:
Inspired by the seminal likes of Bowie, T. Rex, Suzi Quatro and The Sweet, Bobbie Dazzle’s debut album Fandabidozi is an invigorating rush of massive tunes, infectious riffs and bright-eyed pop-rock bombast. As an antidote to the enervating negativity that surrounds us at this moment in history, it could hardly be more perfect. For Greenway, who also sings with UK doom mavens Alunah, adopting a new musical identity has been both personally rewarding and emotionally crucial.“I started Bobbie Dazzle when my sister passed away, because I desperately needed an outlet to keep me going,” she says. “And it worked! This has shown me that you don’t have to sit in a dark place when you’re going through a dark time. I wrote a bunch of songs at home, made some demos and them got some people together to play. The musicians are incredibly talented people from around the Black Country and Birmingham. We did our first show about eight months ago, and yeah, here we are now!”A celebratory ten-song time warp that plunders the ‘70s and drags them kicking and screaming into the here and now, Fandabidozi is absolutely guaranteed to put smiles on faces. From the hard rockin’ riot of the opening Lightning Fantasy, to the pop-psych perfection of the closing Flowers On Mars, the first Bobbie Dazzle album works hard to lighten up our lives. Brash and heavy on the classic glam shuffle of Revolution, and deliriously anthemic on the fiery debut single: Back To The City, it covers a huge amount of musical ground while staying true to the principles of ‘70s glam rock: big riffs, bigger hooks and a prevailing sense that listeners have been hurled into a spinning kaleidoscope of pure euphoria. Although far too young to have experienced glam’s first wave, Bobbie Dazzle’s music is steeped in the tricks and tropes of that exalted era.“My parents were glam rock and punk people in the ‘70s, so their influence on me was pretty big,” she notes. “My dad was more into American stuff, like New York Dolls and Iggy Pop, and my mum was more into Bowie and T. Rex, so I got both sides of it. Growing up, I discovered more for myself, and my favourite band is probably The Sweet. They’ve been a huge influence on this. I also like Chicory Tip and Slade and these British staples of glam rock. They’re joyous and fun and not to be taken too seriously, but they’re also very interesting musically. You can be ridiculous and still have really good riffs and proggy hooks, you know?”At its core, Fandabidozi is an album designed to lift spirits. For the enigmatic Miss Dazzle herself, her first album comes from a deeply personal place and a strong desire to fulfil creative ambitions that first sprang to life when she was a child. As she explains, Fandabidozi is also a personal tribute to her late father, whose taste in music was so influential on her own evolution.“The album opener is called Lightning Fantasy and there’s a really cool story behind it,” she says. “My dad passed away in 2003, when I was 11 years old, but when my sister passed away, I ended up clearing out her house, and I stumbled across these records of my dad’s. He had a Bob Dylan album, and when I opened the sleeve, all these pieces of paper fell out. I was like, ‘What the hell is this?’ and it was lyrics that my dad had written when he was 17. There were about five songs in there – there was one called Castrator and I felt I couldn’t really doing anything with that! But there was Lightning Fantasy, and that song is all my dad’s lyrics. I felt it was a nod from him, saying ‘Do this! I’m proud of you!’ So I basically dedicated the album to my dad… and plagiarised his lyrics! [Laughs]”Bursting at the seams with absurdly catchy and memorable songs, Fandabidozi harks back to the days of Get It On and Blockbuster without ever sounding like a purely retro exercise. Ultimately, glam rock is a timeless force, and more vital now than ever, and its studio tricks and songwriting quirks still resonate today. Bobbie Dazzle is proudly breathing new life into this often ignored genre, and making it sound even cooler and more exuberant than before.“It’s been interesting because when you talk about those classic records and the sounds they used, they were a big influence on me when it came to record this album,” says Greenway. “Like the doubling of vocal tracks with a millisecond slap-back delay – it creates a really interesting sound, so it’s been great to see the staples of what these bands did, and how it’s still relevant now, and how these things can still elevate the music. Obviously I’ve stuck handclaps on absolutely everything too!”Armed with an uproarious debut album and tunes that are manifestly built to last, Bobbie Dazzle intends to hit the ground running. When Fandabidozi is released into the wild by esteemed UK imprint Rise Above Records, its creator’s mission to spread a little happiness as loudly as possible will have reached its first major milestone. Buzzing with positivity and alive with mad-eyed, glam rock mania, Siân Greenway is just getting started. “I can’t wait to tour and play on some big stages, so myself & my live band can strut our stuff and blow people away! It’s all about growing & that will mean touring the album, working hard, keep on pushing, and that main goal of spreading some glitz and glam across the world. Life is too serious to be taken too seriously. You have to find the joy!”
Album:
BOBBIE DAZZLE is a dynamic and vibrant glam rock band brought to life by singer Sian Greenway. Conceived as a creative outlet for Greenway during a difficult time, BOBBIE DAZZLE is an explosion of glitter, infectious riffs, and guaranteed good times.Their debut album ”Fandabidozi” is rock’n’roll at its brightest, its most colorful, its fullest of almost silly joy. This is a music celebrating the twinkliest bits of glam rock, not of the ’80s metal Sunset Strip variety, but the more British A-road version of the 1970s.On this debut album, it’s an introduction with all the sonic excesses, blinding glamour and charismatic camp of that era. Opener Lightning Fantasy announces all this marvelously, with singer and band main-brain Greenway sounding like she’s being beamed from 50 years ago, catsuits and all.Next Merry-Go-Round throws in some Slade-ish quirky British eccentricities, while Back To The City could be a ABBA with the guitars turned up. At the heavier end, Lady On Fire’s riff stares lovingly at prime ’70s Aerosmith, while It’s Electric speeds past on a quick-fire riff and double-bass drumming that could sound like Motörhead were it not so fabulously dolled up.It’s in thrall to the past, certainly, but there’s more depth to ”Fandabidozi” than first meets the ear.Sian began the project after her sister passed away, looking for “an outlet to keep me going. This has shown me that you don’t have to sit in a dark place when you’re going through a dark time.”When going through her sister’s house, she also found some lyrics written by her dad, a music head with a love of the original glam crop like The New York Dolls. One of these would become the words to Lightning Fantasy, although the Thunderbirds-ish sound effect as she belts out the words ‘laser-beam’ probably wasn’t noted in the margin.Like Bobbie Dazzle’s glittering name, ”Fandabidozi” lives up to its title. It’s a strutting, sassy, preening debut with its best dancing boots on, and a cheeky twinkle in its eye.
Line-Up:
Lead vocals: Sian Greenaway AKA Bobbie Dazzle
Guitar: Tadhg Bean-Bradley
Bass: Leon Smith
Drums: Eddy Geach
Hammond: Aaron Bolli-Thompson
Keys & backing vocals: Chris Dando
Tracklist:
01.Lightning Fantasy 04:29
02. Merry-Go-Round 04:36
03. Revolution 04:38
04. Magic Of Music 03:27
05. Back To The City 03:36
06. It’s Electric 04:18
07. Antique Time Machine 04:31
08. Lady On Fire 04:05
09. April Showers 04:42
10. Flowers On Mars 04:24
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