Skillet - Collide (2003) (Lava Records Edition 2004)

hudební novinky 2004 / music news 2004
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Skillet - Collide (2003) (Lava Records Edition 2004)

Príspevokod užívateľa Horex » 20 Aug 2019, 07:56

Skillet - Collide (2003) (Lava Records Edition 2004)

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Year : 2003 (Lava Records Reissue 2004)
Style : Hard Rock , Alternative Rock , Christian Rock
Country : United States
Audio : 320 kbps + scans
Size : 127 mb


Bio:

Skillet recently made headlines when their last album, Awake, became one of just three rock albums to be certified platinum in 2012, forming an improbable triumvirate with the Black Keys’ El Camino and Mumford & Sons’ Babel. The news that Skillet had sold more than a million albums in the U.S. came as a shock to all but the band’s wildly diverse horde of fans, male and female, young and old—known as Panheads—whose still-swelling ranks now officially number in the seven-digit range. This remarkable achievement was announced just as Skillet was putting the finishing touches on their eagerly awaited follow-up album, Rise (Atlantic/Word).Unwilling to stand pat or rest on their laurels, the band—lead vocalist/bassist John Cooper, guitarist/keyboardist Korey Cooper (John’s wife), drummer/duet partner Jen Ledger and lead guitarist Seth Morrison, making his first appearance on record with Skillet—continue to explore new terrain on Rise, expertly produced by Howard Benson, who previously helmed the mega-successful Awake. Eager for new challenges, Cooper threw himself into collaborative songwriting to a far greater degree than ever before, co-writing the uplifting title song and the lacerating first single “Sick of it” with Scott Stevens, founder/leader of the L.A.-based Exies, while teaming with Nashville songsmiths Tom Douglas and Zac Maloy on the timely and anthemic “American Noise,” which Cooper considers to be the strongest song Skillet has yet recorded. On “American Noise” and the joyous “Good to Be Alive,” the band explores new stylistic territory, bringing an element of heartland rock into their aggressive, theatrical approach. The band expanded their musical palette, integrating natural, acoustic instruments like accordion, mandolin, dulcimer, harp, tympani and bells to their trademark slashing electric guitars, strings, churning synths and pummeling drums.It isn’t just the songs themselves that make Rise so gripping, it’s also the song sequences—like the radical contrast between the almost unbearable tension of “Sick of It” suddenly giving way to the ecstatic release of “Good to Be Alive,” or the way the closing three-song progression of “My Religion,” “Hard to Find” and “What I Believe” builds to a thrilling musical, thematic and emotional crescendo. Clearly, these songs and the album as a whole are embedded with an impassioned overarching message. This message courses with a tidal pull through Skillet’s entire body of work, but on Rise, it’s artfully woven into a gripping coming-of-age narrative. This sprawling work stands as the band’s first concept album—though it wasn’t premeditated.

Album:

Collide is the fifth full-length album by Christian rock band Skillet. It was originally released on November 18, 2003 under Ardent Records.The album was re-released through Lava Records on May 25, 2004 with the bonus track "Open Wounds".The album peaked at No. 179 on the Billboard 200 and No. 5 on the Top Heatseekers. The album artwork is, according to John Cooper, faith and fear colliding. This is also Skillet's first full album to feature Ben Kasica on lead guitar. A video was made for the song "Savior". The music video shows the band playing in both a house and at a park at night. It became only the second Skillet video to have a story in the video, after "Best Kept Secret", though the story in the "Savior" video is more heavily featured. The video shows an abusive father mistreating his children in the house, and the subsequent escape of the children from their father. They make their way into the park, while the location of the band playing switches from one to the other. The video ends with the children being safe in their mother's arms. Lead singer and bassist, John Cooper, has said that 'Savior' is a song written mostly about his childhood. Although he was not physically abused by his father, he had a very destructive emotional relationship with him.

Line Up:

John L. Cooper – lead vocals, bass guitar
Korey Cooper – keyboards, piano, drum programming, sampling, string arrangements, backing vocals
Ben Kasica – guitar, backing vocals
Lori Peters – drums, backing vocals

Technical:

Paul Ebersold - producer (all tracks except "Fingernails" and "Open Wounds"), engineer (all tracks except "Open Wounds"), additional string arrangements
John L. Cooper - producer ("Fingernails")
Kevin Kadish - producer ("Open Wounds")
Curry Weber - engineer (all tracks except "Open Wounds")
Matt Martone - engineer (all tracks except "Open Wounds")
Skidd Mills - engineer (all tracks except "Open Wounds"), mixing
John Goodmanson - engineer ("Open Wounds")
Scott Hardin - assistant engineer (all tracks except "Open Wounds")
Ryan Wiley - assistant engineer (all tracks except "Open Wounds")
Scott Hull - mastering

Tracklist:

01. Forsaken (4:12)
02. Savior (4:33)
03. Open Wounds (3:15) (Bonus Track)
04. A Little More (4:49)
05. My Obsession (5:00)
06. Collide (5:38)
07. Fingernails (5:06)
08. Imperfection (4:06)
09. Under My Skin (4:05)
10. Energy (3:56)
11. Cycle Down (4:00)


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Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

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Download links for all albums only on our blog here: http://goodmetalandhar.do.am/
Odkazy na stažení všech alb naleznete pouze na našem blogu zde: http://goodmetalandhar.do.am/

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