Riot - Nightbreaker (1993) (Expanded Digipak Edition 2015)

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Riot - Nightbreaker (1993) (Expanded Digipak Edition 2015)

Príspevokod užívateľa Horex » 16 Máj 2020, 13:13

Riot - Nightbreaker (1993) (Expanded Digipak Edition 2015)

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Year : 1993 (Expanded Digipak Edition 2015)
Style : Melodic Hard Rock , Melodic Heavy Metal
Country : United States
Audio : 320 kbps + all scans
Size : 110 mb


Bio:

Riot V, formerly known as Riot until 2012, is an American heavy metal band founded in New York City in 1975 by guitarist Mark Reale. Reaching a peak in popularity in the early 80s, the band has continued a long-running successful career.Riot has toured with AC/DC, Molly Hatchet, Sammy Hagar, Kiss, Vandenberg, Black Sabbath and Rush among others.Riot's sound initially started out as straightforward heavy metal, but since their 1988 release Thundersteel their musical direction has been more along the lines of power metal.In 2013, Riot V, a new iteration of the band, was launched by the surviving members, post the passing of founding member and band leader Mark Reale.Riot was formed in 1975 in New York City, New York when Kon-Tiki guitarist Mark Reale and drummer Peter Bitelli recruited bassist Phil Feit and vocalist Guy Speranza. The line up recorded a four-track demo, which they hoped would be included in a proposed compilation of new rock bands. While waiting for the project to get off the ground, they added Steve Costello on keyboards.Reale took the various demos to New York based producers Billy Arnell and Steve Loeb, who also owned Greene Street Recording Studio and the independent label Fire-Sign Records. Arnell & Loeb turned down the compilation proposal but signed Riot. The band added second guitarist Louie Kouvaris, replaced Feit with Jimmy Iommi and recorded its debut album, Rock City. After a promising start and support slots with AC/DC and Molly Hatchet, the band were unable to maintain momentum, and were on the verge of breaking up for good by 1979.In that year however, the New Wave of British Heavy Metal broke mainstream, and the band came to the attention of influential DJ Neal Kay who spread the word about them in Britain. British fans bought imported copies of Rock City which was recorded and produced by Arnell and Loeb and released on their Fire Sign Records. Encouraged, Arnell & Loeb, now Riot's managers, recorded the band's new album Narita. In the course of recording, Kouvaris was replaced by roadie Rick Ventura .Subsequent to a successful support of Sammy Hagar on his US Texas tour, Capitol Records offered Riot a worldwide deal for Narita, mostly to support Hagar. Capitol and Hagar needed a harder, younger edge to associate with him, so Riot was chosen if they agreed to support Hagar on his UK tour. Hagar and Riot had a successful tour, but Riot was dropped by Capitol as soon as they were finished promoting Hagar.Arnell and Loeb spent the remaining Capitol Records advance, while retaining important indie FM radio promotions to promote the last Riot album. Arnell and Loeb put the album on as many radio stations around the country as possible, thus raising the radio profile enough to where Capitol picked up their option for another record, which led to Riot's biggest selling album, Fire Down Under.When the record was completed some months later, Capitol turned the record down calling it "commercially unacceptable" which put the band in contractual limbo. Capitol refused to release the band from contract. A campaign was organized and financed by producers Arnell & Loeb, with fans around the world. Fans picketed the offices of EMI Records, especially in the U.K. Finally, Elektra Records reached an agreement with Capitol Vice President Rupert Perry and immediately released Fire Down Under, which then soared into the Billboard Top 100 chart.Singer Guy Speranza (b. March 12, 1956 – d. November 8, 2003) had difficulty melding his religious convictions with his role in the band and was replaced by Rhett Forrester (b. September 22, 1956 – d. January 22, 1994) for the next album, Restless Breed (1982). Though a striking frontman, any hope of a major breakthrough was sunk by a combination of Forrester's erratic behaviour on the road, a changing of the guard at Elektra, and the 1983 success of Quiet Riot's single "Cum on Feel the Noize". The next album, Born in America, (1983) was self- financed by Steve Loeb and was released on Quality Records, an independent Canadian label. A note on the reverse of the album tried to explain away would-be fans' confusion between Riot and the now No. 1-selling Quiet Riot, but support melted away, leading to the band's disintegration.Reale relocated to San Antonio, Texas, where he recruited former S.A.Slayer members Steve Cooper, Don Van Stavern, and Dave McClain (now with Machine Head) for a short-lived new band called Narita. By 1986, Reale and Van Stavern had made their way out to Los Angeles in an attempt to resurrect Riot along with former members Sandy Slavin and Rhett Forrester. Another vocalist that was tried out was Harry 'The Tyrant' Conklin (Jag Panzer) who was dismissed after losing his voice on the second night of back-to-back gigs due to excess drinking. Eventually, Reale mended fences with producer Steve Loeb and moved back to New York. Drummer Mark Edwards (Steeler, Third Stage Alert) was recruited to complete the new rhythm section along with bassist Don Van Stavern, while Greene Street Studio manager Dave Harrington brought in Tony Moore (real name: Tony Morabito) for vocals. A new Riot was born. Loeb cut a four-track demo at his Greene Street Studio in Soho, NY and along with real estate maven turned rock manager Vince Perazzo brought the band to CBS Associated, who offered the band a worldwide deal. Edwards elected to leave the band as his own L.A.-based group Lion was getting signed to Scotti Brothers. He would be superseded by San Antonio, Texas native Bobby Jarzombek, formerly with Juggernaut, who cut the rest of the drum tracks for what would become the Thundersteel album, released in 1988. It was followed by the more experimental The Privilege of Power (1990), which saw the band augment their state-of-the-art heavy metal sound with horns, courtesy of the Brecker Brothers and Tower of Power. The album also featured a guest vocal appearance by Joe Lynn Turner of Rainbow fame. Second guitarist Mike Flyntz joined the ranks for the band's 1989 Thundersteel tour of Japan where Riot maintained their strongest subsequent following. Bassist Don Van Stavern would quit the band after the US leg of the The Privilege of Power tour and was replaced by fellow Texan Pete Perez (ex-Karion).In 1992, vocalist Tony Moore left the group over disagreements with manager/producer Steve Loeb. Reale recruited newcomer Mike DiMeo, who had played with Howard Stern sidekick Stuttering John Melendez in a local band named Josie Sang, with a view toward making a more hard rock oriented solo album. Eventually, those plans were dropped and the proposed solo effort turned into another Riot album, 1993's Nightbreaker, which featured a remake of the Fire Down Under classic 'Outlaw' as well as covers of Deep Purple's 'Burn' and 'A Whiter Shade of Pale' by Procol Harum. The following LP, the Native American-themed Brethren of the Long House (1996), which saw John Macaluso (TNT, Powermad) briefly take over for Bobby Jarzombek on drums, would mark the final collaboration with long-time associate Steve Loeb who stepped down from the production chair in 1995. All told, Loeb produced or co-produced 13 Riot albums in his 19-year association with Reale and the different configurations of Riot. For the rest of the decade Riot would maintain a remarkably steady line-up for the first time in its history, resulting in a steady output of high quality albums, i.e. Inishmore (1998), Shine On live (1998), and Sons of Society (1999). Jarzombek left again in late 1999, this time to join former Judas Priest vocalist Rob Halford in his new venture Halford. Pat McGrath (Prototype, Killing Culture) filled in for Jarzombek on the following European tour before being replaced by veteran skinsman Bobby Rondinelli (Rainbow, Black Sabbath, Blue Öyster Cult) with whom the band recorded Through the Storm (2002).In 2006, Riot returned with yet another album, Army of One, featuring new addition Frank Gilchriest (Virgin Steele, Gothic Knights) on drums. It would mark the swan song with vocalist Mike DiMeo who had earlier announced his departure in order to concentrate on his work with retro rockers The Lizards after a 12-year run with Riot. DiMeo was succeeded by noted New York area singer Mike Tirelli (Burning Starr, Holy Mother, Messiah's Kiss) whose Riot live debut came in early 2005 at the band's Atarfe Vega Rock Festival appearance in Granada, Spain.Mike Tirelli took over as lead singer for most of 2005 and began touring in the states with the band. Riot with Tirelli also made an appearance in Japan both in 2006 and 2007 after being gone for more than 7 years and then ending there touring in 2007 after an extensive tour through Spain.

Album:

Riot is, by default, an underrated and underappreciated band. They’ve overseen 30 years of evolution in the metal genre and have weathered every storm and backlash visited upon metal with such a stalwart vigor that it would make even such true metal acts as Manowar and Virgin Steele humble in their presence. They were at the forefront of the NWOBHM, despite being from New York, and beat both Rainbow and Judas Priest for the prize of composing the first double bass driven speed metal song. But their true power would not be tested until the time in which metal was on the verge of a massive decline, the grunge dominated 1990s.1994 was the last frail gasp for metal in America, at least in the musical sense. Aside from Dio. Black Sabbath, MegaDeth, and a few others everybody was jumping on the groove bandwagon or diving back into the underground to explore the darker side of music in the Death Metal scene. By contrast, Riot would recruit a new vocalist and pump out a metal classic that rivaled the high octane comeback album “Thundersteel”.“Nightbreaker” is an unapologetic hold over from the glory days of the 80s traditional metal scene, it has a good sense of variety to it but it doesn’t seek innovation at the cost of quality. You have heavy rock tracks such as “Soldier” and “Medicine Man” which scream early 80s Judas Priest. There is a good collection of slower riff monsters such as “Magic Maker” and “Babylon” that sound like the glory days of acts such as Accept and the Scorpions. Mid-tempo crushers such as “Burn” and “Outlaw” have some interesting surprises to it, the latter having an extended acoustic jam followed by a Van Halen inspired set of riffs, the former going in a Deep Purple/Rainbow direction and highlighting an excellent job by the drummer.Things get a bit more experimental with “A whiter shade of pale”, which has an anthem-like atmosphere and actually may have been the source of inspiration for Freedom Call’s “The Wanderer” off the Crystal Empire album. “In your eyes” is a somber sounding love ballad with the stereotypical electric piano verses followed by a hard edged chorus, it’s a bit cliché, but it’s still good. The bonus track “Faded Hero” is a sort of epic ballad that has some interesting twists and turns, definitely a highlight of the album.However, despite the large collection of great songs so far, Riot’s true strength is found in its faster songs. You’ve got a great cooker with an infectiously catchy chorus in “Destiny”, and an equally aggressive yet more politically charged lyrically driven fast track in “Silent Scream”. But the best one of the bunch is the title track, it’s got all of the attributes of the best tracks off of Thundersteel, yet Mike DiMeo’s vocal interpretation is a bit more varied in the range department, while Tony Moore’s vocals tended to stay up in the stratosphere.In conclusion, this is an album that refused to conform to its time and like the other releases that followed it is consistent in its delivery. If you are cut from the traditional metal fold, this album is definitely a lost treasure worth seeking out. Fans of Power Metal who liked Thundersteel are also encouraged to pick this one up, as are fans of Gamma Ray, Freedom Call, Primal Fear, Iron Savior, Firewind and Falconer. Its production quality is a bit dated and the spirit of the 80s is heavily present, but it is definitely worth the price

Line-Up:

Bobby Jarzombek Drums
Mark Reale (R.I.P. 2012) Guitars
Pete Perez Bass
Michael DiMeo Vocals
Mike Flyntz Guitars

Tracklist:

01. Soldier 04:54
02. Destiny 04:42
03. Burn (Deep Purple cover) 06:01
04. In Your Eyes 04:34
05. Nightbreaker 04:12
06. Medicine Man 05:36
07. Silent Scream 05:07
08. Magic Maker 05:10
09. A Whiter Shade of Pale (Procol Harum cover) 04:56
10. Babylon 05:05
11. Outlaw (re-recorded version) 06:14
12. Faded Hero 05:32 (Bonus Track)
13. I'm on the Run 04:55 (Bonus Track)
14. Black Mountain Woman 05:08 (Bonus Track)

Please my link you can´t spread further and don´t upload to other hostings!!!

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All download links for all albums only on our blog here: http://goodmetalandhar.do.am/
Odkazy na stažení všech alb naleznete pouze na našem blogu zde: http://goodmetalandhar.do.am/

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