Year : 2016
Style : Power Metal , Thrash Metal
Country : United States
Audio : 320 kbps + front
Size : 98 mb
Bio:
Destructor, Cleveland, Ohio's legendary premier power/thrash band, return to Auburn with their new 2003 "Sonic Bullet" release. The extended EP contains 46 minutes and 9 tracks of ripping, over-the-top, pounding Destructor-style molten heavy metal!Auburn president Bill Peters' first encounter with Destructor was seeing the band perform their very first 'live' show in 1984 at The Pop Shop, a club managed by Chris Andrews and located beneath the historic Cleveland Agora. Already working with bands such as Breaker and Shok Paris at the time, Peters fell in love with the band's untamed energy, great songwriting, wild spirit and charismatic stage presence. The Cleveland metal scene was dominated at the time with 'technically' great sounding bands. Many questioned why Peters would choose to work with a band such as Destructor and how he could possibly record and capture the band's energy in the studio. After all, Destructor were considered to be one of the area's most 'anti-technical' of bands at the time. Despite the rough edges and regardless of the criticisms, Peters had a vision that Destructor could develop into something special and saw something in them most of his industry peers did not. He took a chance and moved forward, signing Destructor to his Auburn label in 1984. The band entered Suma Recording Studios to begin recording their debut album with engineer Paul Hamann at the helm. Destructor's "Maximum Destruction" album, released the following year in 1985 on Auburn Records, is considered by many to be an underground metal classic and quickly silenced the critics. It became Auburn's biggest seller and catapulted the band to international success in the metal underground. The album was licensed to Roadrunner Records in Europe several months after the initial release and later reissued by Listenable Records in 1999. Destructor's crushing 'live' performances in the area, both headlining and opening for national acts such as Anthrax, Slayer and Megadeth, became legendary. The band received rave reviews and full features in prestigious metal publications like Metal Forces, Kerrang!, Hit Parader and Metal Hammer. In 1987, Destructor entered Beachwood Studios with engineer Jim DeMain to begin recording their second album "Decibel Casualties". The album, along with Jag Panzer's "Chain Of Command", was going to help launch a joint venture between Auburn and major label Island Records. Unfortunately, both projects never saw the light of day. Several months into the Destructor recording sessions, bass player Dave Iannicca was innocently murdered on January 1, 1988. The incident devastated both the band and Auburn president Bill Peters, who had been a good friend of Dave's over the years. Coping with losing a 'family' member was very difficult for everyone to overcome. Destructor needed time to recover from the tragedy and were in no condition to begin playing music again. Peters struggled with his emotions and his dealings with Island Records, who took more of a business stance on the whole situation. Peters eventually decided to walk away from the entire 3-year label deal. It was a tough decision but the right one he felt to make at the time.Over the next several years, Destructor struggled to keep things going. They went through several bass players trying to move forward but the chemistry continued to be missing. During these years of uncertainty, the band did manage to go into the studio and finish one song from the "Decibel Casualties" sessions, "Storm Of Steel", for Auburn's 1990 "Heavy Artillery" compilation. The compilation was dedicated to Dave Iannicca. Unfortunately, the revolving door of bass players continued to take its toll, forcing the band into hiatus in the early 90's. Destructor resurfaced in 1999 when Listenable Records reissued the "Maximum Destruction" album. Inspired by the rejuvenated interest from the reissue, Destructor entered the studio in 2000 to begin recording new material. After hearing the final mixes, Listenable expressed no interest in releasing the album and decided to drop the band from the label. Bass player frustrations continued to haunt the band and the album was never released. A song from those sessions, "The Triangle", appeared on the Heavy, oder was!? "Metal Crusade-Vol. IV" compilation.Finally in 2002, Destructor connected with Boulder bass player Jamie Walters. Although several years younger than the band members, Jamie had been a long time Destructor fan and had seen the band on a number of occasions over the years. Both parties hit it off immediately and Destructor were back on track. Jamie was the missing piece to the puzzle the band had searched for so long and hard. Then in January of 2003, Destructor and Auburn officially reunited. The two parties had been talking for nearly a year and had been unofficially working together since the summer of 2002. Peters challenged the band to write new material and the band delivered with an amazing batch of originals that followed in the same tradition as the "Maximum Destruction" album.Destructor entered 609 Recording with engineer Don Depew (Breaker) in the Spring of 2003 to record "Sonic Bullet". The EP, released in the Summer, includes 5 new recordings ("Sonic Bullet", "Heavy Artillery", "Silent Enemy", "Blackest Night", "Master Of The Universe"), two tracks from the previously unreleased 2000 sessions ("G-Force", "The Triangle") and two 'live' tracks recorded in 2002 at the Classic Metal Festival ("Pounding Evil") and at the band's opening set for Slayer in Cleveland ("Iron Curtain"). The Summer of 2003 has seen a lot of activity from Destructor on the concert front. They performed at two major festivals, the BW&BK "6-Pack Weekend" in Cleveland (headlined by Candlemass and Trouble) and the Bang Your Head in Balingen, Germany (headlined by Twisted Sister and Dio), and opened the Iron Maiden/Dio/Motorhead Cleveland tour date. The band are currently finishing up writing new material and plan to enter the studio next year to begin recording a new full-length.
Album:
Destructor are a power/thrash metal band from the USA formed in 1984 releasing their debut album in 1985 and disbanding in 1988 after the death of their bass player Dave Iannicca (known as Dave Holocaust during his time with the band). Reforming in 1999, Destructor penned the album ‘Back In Bondage’, but this was never released…until now. Full length albums have been released in 2003 and 2007 with E.P.’s and live recordings also seeing the light of day, but right here, right now in 2016, their “second” album becomes their fourth studio release.Old school thrash metal is what you need to blow the cobwebs away and the “second” album from Destructor will do just that. Opening with the big riffing, thunderous ‘Fight’, Destructor display an energetic rawness of blunt brutality. With the soaring, high pitched vocal delivery, every thrash metal fan will be screaming along with these songs. The sinister sounding ‘Final Solution’ stomps in on the crest of some cracking guitar work and is a mid tempo chugging style romp. Increasing the pace ‘G=Force’ is thunderous, like tanks rolling into battle and halfway through, the pace quickens again and ‘G-Force’ sets a blistering and raucous tone as it rampages to an end.Mid tempo stomping sees, ‘N.B.K.’ swagger and sway through some blistering guitar work and almost take on a doom metal style riffing. Slowing the brash and arrogant pace of thrash metal to a more melodic vibe, ‘Pompeii’ strolls in on the crest of some superb guitar work before brash thrash returns and the high pitched vocals take over once again. Blistering guitar solos and a thunderous rhythm keep ‘Pompeii’ motoring all the way to its end. ‘Powerslave’ (and no it’s not a cover of the UK heavy metal band Iron Maidens’ famous song) is a thunderous, pace changing slab of arrogant thrash metal with what I can only describe as a catchy, chant style chorus. the weaving and wandering theme of the song is varied, keeping the listener guessing as to which way the song will turn next.The epic nine minutes plus ‘The Shedding Of Blood And Tears’ thunders lightly and is melodic thrash metal at its best. You get the feeling that the band are trying very hard to hold back the out and out pace and power, building the tension as the song romps on and on and the further it romps the more unlikely that there will be that staggering change of pace…and after the nine minutes have elapsed, sadly nope. But in the shape of ‘Tornado’, the brutal thrash metal riffing returns in glorious style and the song is a wonderful, thunderous pick me up as it rattles on its way. Bringing the album to a close is the superb, high energy, high tempo, pace of ‘Triangle’. This is out and out thrash metal, full of speed, superb riffing and blistering solos.Overall, thrash metal from an era when it was still evolving, brash and brutal with a hint of rawness and a superb reminder of how great a band Destructor is.
Line-Up:
Dave Overkill - Vocals, Guitars (1984-present) - See also: Vulgar Devils, ex-Nucleon, ex-Spacecore
Nick Annihilator - Guitars (2012-present) - See also: Wretch, ex-Twist of Fate, ex-Breaker
Tim Hammer - Bass (2014-present) - See also: Eternal Legacy, Wretch, ex-Decimator
Matt Flammable - Drums (1984-2012, 2014-present) - See also: Julia Roberts Global Warning, Vulgar Devils, ex-Nucleon, ex-Spacecore
Tracklist:
01. Fight
02. Final solution
03. G-Force
04. N.B.K.
05. Pompeii
06. Powerslave
07. The Shedding of Blood and Tears
08. Tornado
09. Triangle
Download links for all albums only on our blog here: http://goodmetalandhar.do.am/
