Heavy Pettin' (SCO)

[Horex]

Heavy Pettin' - Rock Ain’t Dead (1985) (Burnt Out Wreckords Remastered Edition 2019)













Year : 1985 (Burnt Out Wreckords Remastered Edition 2019)
Style : Melodic Hard Rock
Country : Scotland
Audio : 320 kbps + scans + Videos
Size : 121 mb

Bio:

Heavy Pettin' first stirred into action when vocalist Hamie, guitarists Gordon Bonnar and Punky Mendoza, drummer Gary Moat and bassist Brian Waugh first burst out of Glasgow in 1981. They were vibrant, priapic, anthemic and focused. As they showed on a three-track demo, and on the subsequent debut single for independent label Neat (‘Roll The Dice’/’Love Xs Love’), they were more than mere Def Leppard slaves. In fact, the Pettin’ had an international sound that owed something to AC/DC, UFO, Thin Lizzy and Foreigner, but also had its own raging momentum.Not that the band found the road straightforward. But, thanks to a work ethic that took them around the country, plus a valuable session for Radio 1’s prestigious ‘Friday Rock Show’, the band eventually landed a crucial deal with the major label Polydor Records. Moreover, their 1983 debut album (‘Lettin’ Loose’) was co-produced by the creative Mack together with Queen guitarist Brian May. Now, that’s pedigree.Amazingly, that album has survived more than 20 years of high-speed hi-tech developments intact. While other, more celebrated records have dated badly, ‘Lettin’ Loose’ re-affirms the belief back then that the Pettin would follow Leppard to big time stature. What went wrong at the time has little to do with band, or lack of ambition/talent.In America, where they should have broken big long before Bon Jovi gave Love A Bad Name, they were held back by the label’s insistence on an anaemic re-mix (as well as a title change to ‘Heavy Pettin’, which caused more confusion than anything else). If the band’s essential, vital British brio had been left as conceived in the first place, who knows what might have been achieved. Still, a slot on the bill for the 1983 Reading Festival, the day that Black Sabbath infamously headlined when fronted by Ian Gillan, did them no harm and touring with Kiss, Ozzy, and Motley Crue helped the quintet’s progress.Two years later, the Pettin return to the studio, this time with producer Mark Dearnley (who’d worked with AC/DC and Krokus). The result? ‘Rock Ain’t Dead’, which surprised many with a slicker yet conversely tougher approach. The lads really had progressed, although ironically if things had gone to plan, this would have been produced by Lance Quinn, of Bon Jovi and Lita Ford fame. However, just hours before the band were due to fly to Philadelphia, to work with Quinn at his Warehouse Studios, the decision was taken by PolyGram (to whom both Heavy Pettin and Bon Jovi were signed in the US) that, instead, he should start work immediately on what was to be Jovi’s second record, ‘7800 Degrees Fahrenheit’.Perhaps then, it should have been obvious that record company politics were to scupper Pettin in the crucial American market. Despite continuing to show up well in the UK, once again the US was to prove elusive – through no fault of the five musicians. In many respects, this was the point when the writing was scrawled over every available wall space. Regardless of their obvious determination and grassroots support in Britain, it seemed as if Pettin’s realistic chance of significant international success had gone. A third album, ‘The Big Bang’, was released by FM Revolver in 1989. Although it still proved this lot were way ahead of so many others who were selling truckloads of units and getting acclaim from the media; as the 1980s faded into memory, so too did Heavy Pettin.Driven by a desire, a passion and a capacity simply to invoke the magic and rapport the band enjoyed, they released Prodigal Songs in 2007. The album was well received by their loyal fans and the limited pressing sold out making it a highly sought-after collector’s item.In 2017, original members Hamie, Punky, and Gordon joined by Jez Parry on bass and Michael Ivory on drums performed for the first time in 25 years at Scotland’s WinterStorm. Reinvigorated, Heavy Pettin, now joined by ex-Gun guitarist Dave Aitken due to Punky hanging up his guitar and going in to retirement, did several shows in 2018 including a 6 date UK tour, with 3 sold out gigs in Nottingham, London and Edinburgh, as well as 2 sold out headline gigs in Milton Keynes and Glasgow.The 2019 Heavy Pettin’ assault started in North Wales with HRH AOR Festival, then off to Germany’s Headbangers Open Air Festival in July, and a Aug/Sept tour including The Golden Age of Rock Festival Belgium, with Dee Snider and Angel, plus a mainland British tour with RockGoddess.Heavy Pettin’are currently finishing out the year recording and mixing a new EP for mid-February release.Hamie has said “…the demand and support for new HP material has been so overwhelming, we are excited to say we’re now working on brand new HP Album too! Which will also be released later in 2020… and it’s going great!"

Abum:

British cult rockers HEAVY PETTIN’ second album ‘Rock Ain’t Dead’ has just been reissued at the end of 2019, remastered and with a bonus track, on Burnt Out Wreckords via Cherry Red Records.Hard rocking Scottish band Heavy Pettin’ (named after UFO’s 1976 studio album), was formed in Glasgow in 1981 when guitarist Gordon Bonnar, drummer Gary Moat, bassist Brian Waugh, vocalist Steve ‘Hamie’ Hayman and lead guitarist Punky Mendoza joined forces to give the biggest and best rock bands at the time a serious run for their money.Heavy Pettin gigged extensively before releasing their debut single, 1982’s ‘Roll the Dice’ on Neat Records. This was good enough to catch the eye of Polydor Records who soon extended a major-label deal to the band then, with Queen guitarist Brian May on board as co-producer along with Reinhold Mack, the group recorded their 1983 debut LP, the classic ‘Lettin Loose’.Opening slots supporting the likes of Kiss, Ozzy and Whitesnake followed, leading to the release of the band’s 2nd studio release, 1985’s ‘Rock Ain’t Dead’.With a much more polished production according to the mid-Eighties, the guys also improved songwriting for this second effort.This is most likely because Heavy Pettin’ really began picking up on the Airplay-Oriented rock trend that groups like Journey and Foreigner had brought to massive acclaim.“Rock Ain’t Dead” holds a fair amount of powerful melodic rockers in “Heart Attack” and “China Boy”, the power ballads “Lost in Love” and “Dream time”, and the super dramatic AORish midtempo “Sole Survivor” – with an unforgettable chorus.A really welcomed digitally remastered reissue including a bonus track, “Rock Ain’t Dead” is an album that still needs to be discovered by many Melodic Hard Rock fans, and this new version is the one to pick up.

Line-Up:

Hamie - lead vocals
Gordon Bonnar - guitars
Punky Mendoza - guitars
Brian Waugh - bass
Gary Moat - drums

Tracklist:

01. Rock Ain't Dead 4:03
02. Sole Survivor 3:42
03. China Boy 3:26
04. Lost in Love 4:38
05. Northwinds 4:02
06. Angel 4:08
07. Heart Attack 3:36
08. Dream Time 4:53
09. Walkin' With Angels 3:41
10. Throw a Party 3:54
11. Crazy 3:15 (Bonus Track)

+ Video "Rock Ain't Dead" (Official Video)
+ Video "Sole Survivor" (Official Video)




Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

[Horex]

Heavy Pettin' - Lettin’ Loose (1983) (Burnt Out Wreckords Remastered Edition 2019)













Year : 1983 (Burnt Out Wreckords Remastered Edition 2019)
Style : Melodic Hard Rock
Country : Scotland
Audio : 320 kbps + scans + Video
Size : 121 mb

Bio:

Heavy Pettin' first stirred into action when vocalist Hamie, guitarists Gordon Bonnar and Punky Mendoza, drummer Gary Moat and bassist Brian Waugh first burst out of Glasgow in 1981. They were vibrant, priapic, anthemic and focused. As they showed on a three-track demo, and on the subsequent debut single for independent label Neat (‘Roll The Dice’/’Love Xs Love’), they were more than mere Def Leppard slaves. In fact, the Pettin’ had an international sound that owed something to AC/DC, UFO, Thin Lizzy and Foreigner, but also had its own raging momentum.Not that the band found the road straightforward. But, thanks to a work ethic that took them around the country, plus a valuable session for Radio 1’s prestigious ‘Friday Rock Show’, the band eventually landed a crucial deal with the major label Polydor Records. Moreover, their 1983 debut album (‘Lettin’ Loose’) was co-produced by the creative Mack together with Queen guitarist Brian May. Now, that’s pedigree.Amazingly, that album has survived more than 20 years of high-speed hi-tech developments intact. While other, more celebrated records have dated badly, ‘Lettin’ Loose’ re-affirms the belief back then that the Pettin would follow Leppard to big time stature. What went wrong at the time has little to do with band, or lack of ambition/talent.In America, where they should have broken big long before Bon Jovi gave Love A Bad Name, they were held back by the label’s insistence on an anaemic re-mix (as well as a title change to ‘Heavy Pettin’, which caused more confusion than anything else). If the band’s essential, vital British brio had been left as conceived in the first place, who knows what might have been achieved. Still, a slot on the bill for the 1983 Reading Festival, the day that Black Sabbath infamously headlined when fronted by Ian Gillan, did them no harm and touring with Kiss, Ozzy, and Motley Crue helped the quintet’s progress.Two years later, the Pettin return to the studio, this time with producer Mark Dearnley (who’d worked with AC/DC and Krokus). The result? ‘Rock Ain’t Dead’, which surprised many with a slicker yet conversely tougher approach. The lads really had progressed, although ironically if things had gone to plan, this would have been produced by Lance Quinn, of Bon Jovi and Lita Ford fame. However, just hours before the band were due to fly to Philadelphia, to work with Quinn at his Warehouse Studios, the decision was taken by PolyGram (to whom both Heavy Pettin and Bon Jovi were signed in the US) that, instead, he should start work immediately on what was to be Jovi’s second record, ‘7800 Degrees Fahrenheit’.Perhaps then, it should have been obvious that record company politics were to scupper Pettin in the crucial American market. Despite continuing to show up well in the UK, once again the US was to prove elusive – through no fault of the five musicians. In many respects, this was the point when the writing was scrawled over every available wall space. Regardless of their obvious determination and grassroots support in Britain, it seemed as if Pettin’s realistic chance of significant international success had gone. A third album, ‘The Big Bang’, was released by FM Revolver in 1989. Although it still proved this lot were way ahead of so many others who were selling truckloads of units and getting acclaim from the media; as the 1980s faded into memory, so too did Heavy Pettin.Driven by a desire, a passion and a capacity simply to invoke the magic and rapport the band enjoyed, they released Prodigal Songs in 2007. The album was well received by their loyal fans and the limited pressing sold out making it a highly sought-after collector’s item.In 2017, original members Hamie, Punky, and Gordon joined by Jez Parry on bass and Michael Ivory on drums performed for the first time in 25 years at Scotland’s WinterStorm. Reinvigorated, Heavy Pettin, now joined by ex-Gun guitarist Dave Aitken due to Punky hanging up his guitar and going in to retirement, did several shows in 2018 including a 6 date UK tour, with 3 sold out gigs in Nottingham, London and Edinburgh, as well as 2 sold out headline gigs in Milton Keynes and Glasgow.The 2019 Heavy Pettin’ assault started in North Wales with HRH AOR Festival, then off to Germany’s Headbangers Open Air Festival in July, and a Aug/Sept tour including The Golden Age of Rock Festival Belgium, with Dee Snider and Angel, plus a mainland British tour with RockGoddess.Heavy Pettin’are currently finishing out the year recording and mixing a new EP for mid-February release.Hamie has said “…the demand and support for new HP material has been so overwhelming, we are excited to say we’re now working on brand new HP Album too! Which will also be released later in 2020… and it’s going great!"

Abum:

British cult rockers HEAVY PETTIN’ debut album ‘Lettin’ Loose’ has just been reissued at the end of 2019, remastered and with 2 bonus tracks, on Burnt Out Wreckords via Cherry Red Records.Signed by major label Polydor, this Heavy Pettin’ rockin’ debut was produced by Brian May and Queen engineer Mack, a confident display of the band’s talents with their catchy melodic hard rock being favourably compared to early Def Leppard.This Scottish quintet was formed in July 1981 when vocalist Steve Hayman and guitarist Punky Mendoza joined with guitarist Gordon Bonnar, bassist Brian Waugh and drummer Gary Moat.Taking their name from a UFO album, they toured the UK heavily, and their impressive three-track demo led to a single “Roll The Dice” through Neat Records, followed by a major contract with Polydor.Make no mistake, like a few other bands of that era, Heavy Pettin’ should have been huge from when they emerged in 1981 and this, their mainstream debut from ’83 still sounds fantastic with its mix of hard rock, NWOBHM and glam melodies packing a real punch to this day.Despite having Queen’s Brian May at the producer chair, ‘Lettin’ Loose’ sounds heavy, punchy. May respected the band’s sound at the moment and the result is as closest Heavy Pettin’ sounded in its origins.Listening back to the album the first thing that strikes you is the similar style they shared with Def Leppard, especially the early albums such as ‘High and Dry’ and ‘Pyromania’, with their mix of the melodic and heavy. There’s certainly elements of early Motley Crue and all the US scene too.Amongst the accessibility of their material, there’s some grit and heft and you have to wonder whether that was the issue that held back their ascent to the top as they were too heavy for glam fans and too melodic for the metalheads.‘In and Out of Love’ is a classic start of the album, full of Leppard’s snarling youthful attitude but with an extra portion of shine with the gang vocals in the chorus adding a big West Coast feel to things.The swagger was more akin to their Sheffield contemporaries but there was certainly a scent of Sunset Strip laced throughout and Steve ‘Hamie’ Hayman’s vocals were a mix of Biff Byford and Vince Neil whilst the twin guitars of Punky Mendoza and Gordon Bonnar equally sang and bruised.It’s these twin guitar attack that really shine during second track, ‘Broken Heart’, a wonderfully kaleidoscopic production job by May adding tasty layers and little twists that make listening a joy and, whilst never overcooked, give everyone the space to show what they can do.Things get a lot heavier on ‘Love on the Run’, a hedonistic tale that features a scorching solo and pounding and compulsive turn by rhythm section Gary Moat and Brian Waugh, propelling this real gem along at top speed, followed by ‘Love Times Love’, another highlight of the live set with more gang vocals, melody and a breakdown near the end that ticks a lot of 80s hard rock boxes.There’s more frantic riffing on ‘Victims of the Night’, the track having the heaviness and drive of prime Saxon but adds yet more harmonies in the chorus and gives the best of both worlds, really playing to the strengths of Heavy Pettin’ and pointing the way to future releases by the quintet.Despite its title, ‘Rock Me’ has a medium pace quality that focusses more on dynamics than all out attack and switches between slow, atmospheric passages and big stadium rock.‘Shout It Out’ on the other hand is a straight down the line fast rocker that seems to be heavily influenced by Leppard as the guitars sound so very much like Clark and Willis under the ‘Mutt’ Lange production era. ‘Devil in her Eyes’ is another multi-part, deeper, album track that reveals more and more with repeated listens.The bonus track ‘Roll the Dice’ see the band swinging into action with a powerful duo of truly heavy tracks, with the former being arguably the highlight of the whole release and shows that the Queen guitarist certainly knows how to rock, bringing out something that Biff’s Barnsley boys would have been proud of.‘Shadows of the Night’ it’s another strong song full of the style that Heavy Pettin’ were comfortable in and one that makes you want to hit the repeat button to play the whole album again.With a remastering overseen by drummer Gary Moat, ‘Lettin’ Loose’ is an 80s cult classic and still sound as fun and fresh today, the perfect introduction to someone you may have missed the first time around.

Line-Up:

Hamie - lead vocals
Gordon Bonnar - guitars
Punky Mendoza - guitars
Brian Waugh - bass
Gary Moat - drums

Tracklist:

01. In and Out of Love 3:53
02. Broken Heart 4:17
03. Love on the Run 4:04
04. Love Times Love 4:03
05. Victims of the Night 5:24
06. Rock Me 5:02
07. Shout It Out 3:43
08. Devil in Her Eyes 5:12
09. Hell Is Beautiful 4:13
10. Roll the Dice 4:05 (Bonus Track)
11. Shadows of The Night 4:42 (Bonus Track)

+ Video "In and Out of Love" (Official Video)




Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

[Horex]

Heavy Pettin' - The Big Bang (1989) (Cherry Red Edition 2019)













Year : 1989 (Cherry Red Edition 2019)
Style : Melodic Hard Rock
Country : Scotland
Audio : 320 kbps + scans
Size : 121 mb

Bio:

Heavy Pettin' first stirred into action when vocalist Hamie, guitarists Gordon Bonnar and Punky Mendoza, drummer Gary Moat and bassist Brian Waugh first burst out of Glasgow in 1981. They were vibrant, priapic, anthemic and focused. As they showed on a three-track demo, and on the subsequent debut single for independent label Neat (‘Roll The Dice’/’Love Xs Love’), they were more than mere Def Leppard slaves. In fact, the Pettin’ had an international sound that owed something to AC/DC, UFO, Thin Lizzy and Foreigner, but also had its own raging momentum.Not that the band found the road straightforward. But, thanks to a work ethic that took them around the country, plus a valuable session for Radio 1’s prestigious ‘Friday Rock Show’, the band eventually landed a crucial deal with the major label Polydor Records. Moreover, their 1983 debut album (‘Lettin’ Loose’) was co-produced by the creative Mack together with Queen guitarist Brian May. Now, that’s pedigree.Amazingly, that album has survived more than 20 years of high-speed hi-tech developments intact. While other, more celebrated records have dated badly, ‘Lettin’ Loose’ re-affirms the belief back then that the Pettin would follow Leppard to big time stature. What went wrong at the time has little to do with band, or lack of ambition/talent.In America, where they should have broken big long before Bon Jovi gave Love A Bad Name, they were held back by the label’s insistence on an anaemic re-mix (as well as a title change to ‘Heavy Pettin’, which caused more confusion than anything else). If the band’s essential, vital British brio had been left as conceived in the first place, who knows what might have been achieved. Still, a slot on the bill for the 1983 Reading Festival, the day that Black Sabbath infamously headlined when fronted by Ian Gillan, did them no harm and touring with Kiss, Ozzy, and Motley Crue helped the quintet’s progress.Two years later, the Pettin return to the studio, this time with producer Mark Dearnley (who’d worked with AC/DC and Krokus). The result? ‘Rock Ain’t Dead’, which surprised many with a slicker yet conversely tougher approach. The lads really had progressed, although ironically if things had gone to plan, this would have been produced by Lance Quinn, of Bon Jovi and Lita Ford fame. However, just hours before the band were due to fly to Philadelphia, to work with Quinn at his Warehouse Studios, the decision was taken by PolyGram (to whom both Heavy Pettin and Bon Jovi were signed in the US) that, instead, he should start work immediately on what was to be Jovi’s second record, ‘7800 Degrees Fahrenheit’.Perhaps then, it should have been obvious that record company politics were to scupper Pettin in the crucial American market. Despite continuing to show up well in the UK, once again the US was to prove elusive – through no fault of the five musicians. In many respects, this was the point when the writing was scrawled over every available wall space. Regardless of their obvious determination and grassroots support in Britain, it seemed as if Pettin’s realistic chance of significant international success had gone. A third album, ‘The Big Bang’, was released by FM Revolver in 1989. Although it still proved this lot were way ahead of so many others who were selling truckloads of units and getting acclaim from the media; as the 1980s faded into memory, so too did Heavy Pettin.Driven by a desire, a passion and a capacity simply to invoke the magic and rapport the band enjoyed, they released Prodigal Songs in 2007. The album was well received by their loyal fans and the limited pressing sold out making it a highly sought-after collector’s item.In 2017, original members Hamie, Punky, and Gordon joined by Jez Parry on bass and Michael Ivory on drums performed for the first time in 25 years at Scotland’s WinterStorm. Reinvigorated, Heavy Pettin, now joined by ex-Gun guitarist Dave Aitken due to Punky hanging up his guitar and going in to retirement, did several shows in 2018 including a 6 date UK tour, with 3 sold out gigs in Nottingham, London and Edinburgh, as well as 2 sold out headline gigs in Milton Keynes and Glasgow.The 2019 Heavy Pettin’ assault started in North Wales with HRH AOR Festival, then off to Germany’s Headbangers Open Air Festival in July, and a Aug/Sept tour including The Golden Age of Rock Festival Belgium, with Dee Snider and Angel, plus a mainland British tour with RockGoddess.Heavy Pettin’are currently finishing out the year recording and mixing a new EP for mid-February release.Hamie has said “…the demand and support for new HP material has been so overwhelming, we are excited to say we’re now working on brand new HP Album too! Which will also be released later in 2020… and it’s going great!"

Abum:

Reissued, remastered and with bonus tracks on Burnt Out Wreckords via Cherry Red Records.We already featured Heavy Pettin’ 2 first, now it’s time for their third and last 80s LP “The Big Bang”, including previously unreleased tracks as bonus.Originally appeared in 1989, “The Big Bang +2 [Cherry Red Remastered + Unreleased]” sees the band fully embracing the AOR sound production of that magic year, hugely layered, plenty of keyboards and sing-along choruses.“The Big Bang”, the third album from Heavy Pettin’ was released in 1989 and saw them changing their style from the early Def Leppard orientated hard rock into the hook-ladden late ’80s AOR style plenty of keyboards and the huge vocals from singer Hamie, which sounded not that far away from SHY’s Tony Mills.No surprise that with this album they were called as the European answer to Journey – check tracks like “Lonely People”, “Looking For Love” or “Madonna On The Radio !” and imagine that one of the mighty Steve’s (PERRY / AUGERI) handles the vocal duties.While fans of Heavy Pettin’s early work were surprised by this record and miss the band’s raw attack, on the other hand AOR aficionados will love “The Big Bang”. It’s pure ’80s.The original cover artwork was not approved by the band, and their choice of image has since been lost, so drummer Gary Moat has overseen the creation of this new artwork.Very good remaster, and the collectible bonus tracks are a plus.

Line-Up:

Steve “Hamie” Hayman – Vocals
Gordon Bonnar – Guitars
Punky Mendoza – Guitars
Brian Waugh – Bass, Keys
Gary Moat – Drums

Tracklist:

01. Born To Burn
02. Romeo
03. Lonely People
04. This Is America
05. Looking For Love
06. Madonna On The Radio
07. Don’t Call It Love
08. Heaven Sent
09. Two Hearts
10. City Girl [rare outtake] (Bonus Track)
11. Rock You Endlessly [previously unreleased] (Bonus Track)




Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

[Horex]

Heavy Pettin' - 4 Play (EP) (2020)













Year : 2020
Style : Melodic Hard Rock
Country : Scotland
Audio : 320 kbps + scans + Video
Size : 60 mb

Bio:

Heavy Pettin' first stirred into action when vocalist Hamie, guitarists Gordon Bonnar and Punky Mendoza, drummer Gary Moat and bassist Brian Waugh first burst out of Glasgow in 1981. They were vibrant, priapic, anthemic and focused. As they showed on a three-track demo, and on the subsequent debut single for independent label Neat (‘Roll The Dice’/’Love Xs Love’), they were more than mere Def Leppard slaves. In fact, the Pettin’ had an international sound that owed something to AC/DC, UFO, Thin Lizzy and Foreigner, but also had its own raging momentum.Not that the band found the road straightforward. But, thanks to a work ethic that took them around the country, plus a valuable session for Radio 1’s prestigious ‘Friday Rock Show’, the band eventually landed a crucial deal with the major label Polydor Records. Moreover, their 1983 debut album (‘Lettin’ Loose’) was co-produced by the creative Mack together with Queen guitarist Brian May. Now, that’s pedigree.Amazingly, that album has survived more than 20 years of high-speed hi-tech developments intact. While other, more celebrated records have dated badly, ‘Lettin’ Loose’ re-affirms the belief back then that the Pettin would follow Leppard to big time stature. What went wrong at the time has little to do with band, or lack of ambition/talent.In America, where they should have broken big long before Bon Jovi gave Love A Bad Name, they were held back by the label’s insistence on an anaemic re-mix (as well as a title change to ‘Heavy Pettin’, which caused more confusion than anything else). If the band’s essential, vital British brio had been left as conceived in the first place, who knows what might have been achieved. Still, a slot on the bill for the 1983 Reading Festival, the day that Black Sabbath infamously headlined when fronted by Ian Gillan, did them no harm and touring with Kiss, Ozzy, and Motley Crue helped the quintet’s progress.Two years later, the Pettin return to the studio, this time with producer Mark Dearnley (who’d worked with AC/DC and Krokus). The result? ‘Rock Ain’t Dead’, which surprised many with a slicker yet conversely tougher approach. The lads really had progressed, although ironically if things had gone to plan, this would have been produced by Lance Quinn, of Bon Jovi and Lita Ford fame. However, just hours before the band were due to fly to Philadelphia, to work with Quinn at his Warehouse Studios, the decision was taken by PolyGram (to whom both Heavy Pettin and Bon Jovi were signed in the US) that, instead, he should start work immediately on what was to be Jovi’s second record, ‘7800 Degrees Fahrenheit’.Perhaps then, it should have been obvious that record company politics were to scupper Pettin in the crucial American market. Despite continuing to show up well in the UK, once again the US was to prove elusive – through no fault of the five musicians. In many respects, this was the point when the writing was scrawled over every available wall space. Regardless of their obvious determination and grassroots support in Britain, it seemed as if Pettin’s realistic chance of significant international success had gone. A third album, ‘The Big Bang’, was released by FM Revolver in 1989. Although it still proved this lot were way ahead of so many others who were selling truckloads of units and getting acclaim from the media; as the 1980s faded into memory, so too did Heavy Pettin.Driven by a desire, a passion and a capacity simply to invoke the magic and rapport the band enjoyed, they released Prodigal Songs in 2007. The album was well received by their loyal fans and the limited pressing sold out making it a highly sought-after collector’s item.In 2017, original members Hamie, Punky, and Gordon joined by Jez Parry on bass and Michael Ivory on drums performed for the first time in 25 years at Scotland’s WinterStorm. Reinvigorated, Heavy Pettin, now joined by ex-Gun guitarist Dave Aitken due to Punky hanging up his guitar and going in to retirement, did several shows in 2018 including a 6 date UK tour, with 3 sold out gigs in Nottingham, London and Edinburgh, as well as 2 sold out headline gigs in Milton Keynes and Glasgow.The 2019 Heavy Pettin’ assault started in North Wales with HRH AOR Festival, then off to Germany’s Headbangers Open Air Festival in July, and a Aug/Sept tour including The Golden Age of Rock Festival Belgium, with Dee Snider and Angel, plus a mainland British tour with RockGoddess.Heavy Pettin’are currently finishing out the year recording and mixing a new EP for mid-February release.Hamie has said “…the demand and support for new HP material has been so overwhelming, we are excited to say we’re now working on brand new HP Album too! Which will also be released later in 2020… and it’s going great!"

Abum:

In 2017, original members of ’80s hard rocker HEAVY PETTIN’, Hamie, Punky, and Gordon joined by Jez Parry on bass and Michael Ivory on drums performed for the first time in 25 years at Scotland’s Winter Storm. Reinvigorated, Heavy Pettin’, now joined by ex-Gun guitarist Dave Aitken due to Punky hanging up his guitar and going into retirement, did several shows in 2018 including a 6 date UK tour, with 3 sold-out gigs in Nottingham, London and Edinburgh, as well as 2 sold-out headline gigs in Milton Keynes and Glasgow.The 2019 Heavy Pettin’ assault started in North Wales with HRH AOR Festival, then off to Germany’s Headbangers Open Air Festival in July, and Aug/Sept tour including The Golden Age of Rock Festival Belgium, with Dee Snider and Angel, plus a mainland British tour with RockGoddess.It was time for new music, and in 2019 HEAVY PETTIN’ entered the studio to create the first batch of new songs recorded in over 30 years. The result is the EP ”4 Play”, only 4 songs. But what a killer songs.These are among the best songs HEAVY PETTIN’ have wrote, and not only the band feels on all cylinders here, production is top notch.‘Get Back to You’ instantly reminds you just why you loved HEAVY PETTIN’ in the first place, a hook filled delight graced by Stephen (Hamie) Hayman’s distinctive vocals and along with ‘Tell Me Why’ you can’t help but marvel at their uncanny knack of writing great commercial AOR that rocks hard.‘Who We Are’ is insistent, unstoppable and full of diamond cutting guitar work, crushing drums, throbbing bass and utterly committed vocals, a declaration of intent.The EP closes with the lighter waving power ballad ‘Hard to Hold’ and it ticks all the boxes you could hope for, with a particularly fine solo from Gun guitar slinger Dave Davo Aitken adding the cherry on the cake.A much anticipated and welcome return for the Scottish giant killers.Hamie has said “…the demand and support for new HP material has been so overwhelming, we are excited to say we’re now working on brand new HEAVY PETTIN’ album and other projects… and it’s going great!”

Line-Up:

Stephen (Hamie) Hayman – lead vocals
Gordon Bonnar – guitar, vocals
Jez Parry – bass, vocals
Dave (Davo) Aitken – guitar, vocals
Mick Ivory – drums

Tracklist:

01. Get Back To You
02. Tell Me Why
03. Who We Are
04. Hard To Hold

+ Video "Get Back To You" (Official Video)




Download links for all albums only on our blog here: http://goodmetalandhar.do.am/