Arch Enemy - As The Stages Burn! (Live At Wacken 2016) (BDRip) (2017)
Year : 2017
Style : Melodic Death Metal , Female Vocals
Country : Sweden
Video : MKV - AVC, 1280x720, 29.970 fps, 5700 kbps
Audio 1 : LPCM, 2 ch, 2304 kbps
Audio 2 : DTS, 6 ch, 1510 kbps
Size : 4,83 GB
Formed by ex-Carnage, Carcass, and Candlemass guitarist Michael Amott (concurrently of Spiritual Beggars) with his brother Christopher (Armageddon), Arch Enemy took a straight-ahead approach to death metal reminiscent of Entombed or late-period Carcass, blending catchy, classic-style metal riffs with crushing grooves for an intense yet accessible sound. The group's charter lineup was rounded out by bassist/vocalist Johan Liiva (Carnage, Furbowl) and drummer Daniel Erlandsson (Eucharist, session work for In Flames); they released their debut album, Black Earth, in 1996. For their second album, 1998's Stigmata, Armageddon bassist Martin Bengtsson took over those duties from vocalist Liiva, while Armageddon drummer Peter Wildoer sat in for Erlandsson. More personnel turnover ensued, as Mercyful Fate reunion bassist Sharlee D'Angelo (also formerly of Witchery and Dismember) joined up for 1999's Burning Bridges, which also featured the return of Erlandsson. Wages of Sin from 2001 found Johan Liiva departing and replaced by Angela Gossow.After touring extensively across Europe and Japan, the band returned to the studio and released Anthems of Rebellion in 2003. The EP Dead Eyes See No Future was released by the end of the year and featured a mix of cover versions and live tracks. The album Doomsday Machine landed in July of 2005 right as guitarist Christopher Amott announced he was leaving the band. Former Tiamat member Fredrik Åkesson replaced him, though the two would switch places again two years later with Åkesson leaving the band to join Opeth, and Amott taking back his spot on guitar. The band then released its seventh album, Rise of the Tyrant, in 2007. The album would be Arch Enemy's most successful album to date, and they followed up the release by heading out on tours with Swedish metal giants Opeth and Dark Tranquillity. In 2009 the band looked back to its older material with The Root of All Evil. The album featured tracks from the band's first three albums that were re-recorded with current singer Angela Gossow. Arch Enemy reported they were entering the studio at the end of 2010, planning to release their ninth album in mid-2011.
Arch Enemy has been around since 1996, and to celebrate their 20th anniversary, not only have they headlined the world’s biggest metal festival – Wacken, in Germany – they have also recorded the whole thing for their new live DVD ‘As The Stages Burn’. Did Arch Enemy manage to live up to the challenge of headlining the world biggest metal festival Wacken?Coming on to the “Khaos Overture” with visuals that look to be from a military tracking system mixed in with some crowd shots, the band goes straight into “Yesterday is Dead and Gone” with frontwoman Allisa White-Gluz screaming “Wacken, let’s see those horns in the air!” It’s a strong and energetic start and the crowd soon gets caught up in Alissa’s enthusiasm, while the rest of the band sound like they’re in perfect form. We get treated to “War Eternal” a lot sooner than I would have expected, it’s an absolute belter of a performance, and it seems like Arch Enemy have stepped up their already usually quite impressive game, not only for this headlining act, but also for the tour they have been on in support of the ‘War Eternal’ album.Up to this point, the stage decoration has just been some long white drapes with AE on them and a pentagram symbol behind Daniel Erlandsson drum kit that’s part of the lighting set up but as “Ravenous” starts, they fall away to reveal a far more fitting Arch Enemy set. The new set resembles a satanic church with skulls everywhere as well as pictures now replacing where the drapes were. However you can’t really see what the images are as the camera doesn’t really show the staging very much during the song. Again, Alissa does a good job getting the crowd pumped up, this time getting them involved in a call-back and clapping along during the main guitar solo. It’s another song that goes down even better in a live performance. The band move right into “Stolen Life” without so much as pausing for breath, followed by “My Apocalypse”, where we see pyrotechnics for the first time of the night. It certainly looks like they are going all out for this set, not that you would expect any less.Alissa keeps up her outstanding performance, and keeps getting the crowd involved in the songs. By this point, the band seem to be having the time of their lives, and the audience looks to be having nearly as much fun themselves. Arch Enemy are a band that prefer to let their music do most of the talking, not relying on stage props and changing backdrops to add anything to the show as much as some of the bigger bands do. When they begin “Bloodstained Cross”, you can feel the energy level go up a notch and the crowd responds with them. The band is able to maintain it at that height, as we get treated to “Under Black Flags”, with a standout solo from Jeff Loomis. Everything is going almost flawlessly, it’s a thing of beauty to watch even on DVD. “As The Pages Burn” from the new War Eternal album is the next offering “on this special night” as Alissa puts it, and she’s entirely right. They move without pause again straight into “Dead Eyes See No Future”, followed by “Avalanche” and “No Gods, No Masters”, all while keeping the crowd involved with every song – it really is a great thing to witness, and really adds to the experience the live crowd got treated to.Then comes what I think is the strongest song in the set, “We Will Rise”. There is just something about the song, particularly in a live show, that I’ve always felt makes it stand out on the band’s set list, and here is no exception. It’s the beginning of the end of the show, but what an outstanding way to end the set it is. They follow it up with “Nemesis”, before closing out the set with “Fields of Desolation”.The camera work on the DVD is amazing; they used 13 cameras to film the set they keep the shots of the band lined up well with the music – moving between band members every so often but most of the time focused on Alissa, and occasionally throwing in a wide or crowd shot to change things up a bit. They don’t ever do any close up crowd shots, but I don’t think that takes anything away from the presentation of the show. The camera work is smooth it doesn’t jump around with lots of different shots in a few seconds it just uses the shots of the band it needs and doesn’t have to do anything more.Bottom Line: This show is one hell of a wild ride, with Arch Enemy never once letting up during a 70 minute set that seems to fly past. It’s energetic and relentless in a way only Arch Enemy could do. The band have certainly come a long way since it’s conception twenty years ago, and this performance at the world’s largest metal festival shows just how good they’ve become. With some of the older bands starting to call time on their careers, and people wondering where the next headline act might come from – don’t worry, Arch Enemy are more than capable of filling that void all by themselves. If you have never seen them before, or even if you have but haven’t seen this DVD yet, this show is a must-see for any metal fan, it’s of such a high quality you will be playing it on repeat for quite a while to come.
Michael Amott Guitars (1995-present), Bass (1996), Keyboards (2005, 2007)
See also: Spiritual Beggars, ex-Carnage, ex-Candlemass, ex-Carcass, ex-Disaccord
Daniel Erlandsson Drums (1996, 1998-present)
See also: Brujeria, ex-Eucharist, ex-The End, ex-Armageddon, ex-Carcass, ex-In Flames, ex-Revengia, ex-Diabolique, ex-Liers in Wait
Sharlee D'Angelo Bass (1998-present)
See also: Spiritual Beggars, The Night Flight Orchestra, Witchery, Mercyful Fate, ex-Illwill, ex-King Diamond, ex-Facelift, ex-Sinergy, ex-Dismember (live)
Jeff Loomis Guitars (2014-present)
See also: Conquering Dystopia, Jeff Loomis, ex-Fear-Tech, ex-System, ex-Experiment Fear, ex-Sanctuary (live), ex-Nevermore
Alissa White-Gluz Vocals (2014-present)
See also: Kamelot (live), ex-The Agonist, ex-Nightwish (live)
01. Khaos Overture
02. Yesterday Is Dead And Gone
03. War Eternal
05. Stolen Life
06. My Apocalpyse
07. You Will Know My Name
08. Bloodstained Cross
09. Under Black Flags We March
10. As The Pages Burn
11. Dead Eyes See No Future
13. No Gods, No Masters
14. We Will Rise
16. Fields Of Desolation
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