Revocation (USA)

Death Metal , Melodic Death Metal
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Revocation (USA)

Príspevokod užívateľa Horex » 23 Mar 2015, 15:48

Revocation - Deathless (2014)

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Year : 2015
Style : Technical Death Metal , Thrash Metal
Country : United Kingdom
Audio : 320 kbps + all scans
Size : 122 mb


Bio:

Revocation have spent the last eight years converting fans to their cause with four full length albums, an EP with Scion AV, and a charismatic live show led by guitarist/vocalist Dave Davidson. The Boston-based band also features the staggeringly talented lineup of: Dan Gargiulo on guitar, Brett Bamberger on bass, and Phil Dubois on drums. Revocation has firmly been established as one of the genre's finest and will continue their campaign as part of the Metal Blade Records roster. Their fifth album, "Deathless," is a fitting debut for the label, and a definitive statement of intent from the band."Deathless" was recorded with acclaimed producer Zeuss at Planet Z studios in Massachusetts. The album is ten tracks of ambitious, catchy, and undeniably heavy material. Musically, cuts like "Madness Opus" showcase a more deliberate Revocation - restrained, if even moderately so, to deliver a slow, near-dirge like track. Alternatively, the title track highlights the diversity of Davidson's vocals with a catchy chorus. It's an ear worm the likes of which the band had only previously hinted. The rest of the album offers a refreshing variety of music and truly feels like an "album", rather than a collection of similar tracks. This is a refinement, achieved only through years of focusing on their craft.Davidson adds, "Collectively, we feel that "Deathless" is our finest offering yet. The songs are incredibly varied and each one showcases a different element of the band. Technically, everyone is in top form on this record, as well, and we really pushed ourselves to deliver the best performances possible on all fronts. This is a new chapter and a new beginning for the band; we can't wait for this record to be unleashed in October!"Lyrically, "Deathless" addresses life on the road and the band's commitment to touring, followed by even more touring. "Madness Opus" made its live debut when Revocation toured with DevilDriver and Whitechapel during the summer of 2014. Davidson discusses the track: "The crowd response for that tune has been overwhelmingly positive. It's one of the heaviest songs we've ever written, hands down, and has been a blast to play live. Lyrically, it's about one of my favorite HP Lovecraft stories, "The Music Of Erich Zann". Fans of unnamable cosmic horror and punishing death metal will not be disappointed!"Revocation begins touring in support of "Deathless" in September with Crowbar in North America, followed by a full European tour with new label mates Cannibal Corpse and Aeon. Much is more is set to come - this is the beginning of a new era for Revocation. "Deathless" will be available worldwide on Metal Blade Records.In 2006, lifelong friends Dave Davidson, Anthony Buda, and Phil Dubois-Coyne formed the core of what would become Revocation. The trio gigged throughout New England, and recorded a three song demo, "Summon the Spawn." The guys would spend the next few years writing and performing new songs as often as possible, before finally tracking their debut album in 2008."Empire of the Obscene" was recorded with Pete Rutcho at Damage Studios in 2008, and made a huge splash upon release. Their brand of technically-minded thrash offered a new take on thrash, and a much more energetic and vital approach to the technical death metal. The debut lead to the band signing with Relapse Records. By early 2009, the band had already re-entered Damage Studios to record "Existence is Futile."The release of their label debut was met with critical acclaim and truly began to spread their name throughout metal on a global scale. Magazines including SPIN and Decibel heaped praise on the band, and Dave Davidson became an official Jackson Guitars endorser. In 2010, guitarist Dan Gargiuolo joined the ranks as a touring second guitarist, just in time for the band to perform in Europe, Japan, the US and Canada. In total they would play in 13 countries and over 150 shows.During the fall and winter of 2010, the band recorded "Chaos of Forms" with Rutcho at Damage Studios. The album vaulted the band to new heights, and afforded them even greater touring opportunities. Revocation also appeared on the Relapse Records label showcase, presented by Scion A/V in February 2012. The year also saw the addition of bassist Brett Bamberger, along with the recording of the "Teratogenesis" EP for Scion A/V.In February of 2013, Revocation recorded their fourth album with producer Pete Rutcho. Their self-titled album was released in August 2013, and was followed by a slot on the Summer Slaughter Tour 2013.

Line Up:

Phil Dubois-Coyne Drums (2006-present)
See also: ex-Random Acts of Violence, ex-Cormid, ex-Cryptic Warning, Hot on the Heels, ex-Ravage, ex-Impending Doom (live)

David Davidson Guitars, Vocals (2006-present)
See also: ex-Cormid, ex-Cryptic Warning, Hot on the Heels

Dan Gargiulo Guitars, Vocals (2010-present)
See also: Artificial Brain, ex-Cyanide Breed, ex-Havok (live)

Brett Bamberger Bass (2012-present)
See also: Biclops, Day Without Dawn, East of the Wall, The Postman Syndrome, ex-The Binary Code (live)

Tracklist:

01. A Debt Owed to the Grave 04:51
02. Deathless 04:56
03. Labyrinth of Eyes 04:45
04. Madness Opus 06:23
05. Scorched Earth Policy 03:47
06. The Blackest Reaches 04:06
07. The Fix 03:13
08. United in Helotry 05:13
09. Apex 05:12 instrumental
10. Witch Trials 06:03


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Download links for all albums only on our blog here: http://goodmetalandhar.do.am/
Odkazy na stažení všech alb naleznete pouze na našem blogu zde: http://goodmetalandhar.do.am/
Užívateľov profilový obrázok
Horex
Metalový král
Metalový král
Príspevky: 28023
Dátum registrácie: 21 Feb 2013, 19:14
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Re: Revocation (USA)

Príspevokod užívateľa Horex » 05 Apr 2020, 14:22

Revocation - Great Is Our Sin (2016)

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Year : 2016
Style : Technical Death Metal , Thrash Metal
Country : United States
Audio : 320 kbps + all scans + Video
Size : 149 mb


Bio:

In 2006, lifelong friends Dave Davidson, Anthony Buda, and Phil Dubois-Coyne formed the core of what would become Revocation. The trio gigged throughout New England, and recorded a three song demo, "Summon the Spawn." The guys would spend the next few years writing and performing new songs as often as possible, before finally tracking their debut album in 2008."Empire of the Obscene" was recorded with Pete Rutcho at Damage Studios in 2008, and made a huge splash upon release. Their brand of technically-minded thrash offered a new take on thrash, and a much more energetic and vital approach to the technical death metal. The debut lead to the band signing with Relapse Records. By early 2009, the band had already re-entered Damage Studios to record "Existence is Futile."The release of their label debut was met with critical acclaim and truly began to spread their name throughout metal on a global scale. Magazines including SPIN and Decibel heaped praise on the band, and Dave Davidson became an official Jackson Guitars endorser. In 2010, guitarist Dan Gargiuolo joined the ranks as a touring second guitarist, just in time for the band to perform in Europe, Japan, the US and Canada. In total they would play in 13 countries and over 150 shows.During the fall and winter of 2010, the band recorded "Chaos of Forms" with Rutcho at Damage Studios. The album vaulted the band to new heights, and afforded them even greater touring opportunities. Revocation also appeared on the Relapse Records label showcase, presented by Scion A/V in February 2012. The year also saw the addition of bassist Brett Bamberger, along with the recording of the "Teratogenesis" EP for Scion A/V.In February of 2013, Revocation recorded their fourth album with producer Pete Rutcho. Their self-titled album was released in August 2013, and was followed by a slot on the Summer Slaughter Tour 2013.

Album:

Not many would disagree that Revocation has been having a dream run up till now. Churning out five impeccable releases in their 10 years of existence is truly a fantastic achievement. At the same time, as a fan, I would be lying if I say that I don’t worry about this dream run ending. I always get this weird nervous palpitation before I push that play button for any new release by a band having such a flawless discography. However, the opening seconds of Revocation’s latest album, ‘Great Is Our Sin’ thankfully lay all my fears to rest.The album kicks off with “Arbiters of the Apocalypse” and soon enough you realize, Revocation have hit the nail right on the head yet again. The opener’s thrashy gallops fill up your ear drums nicely and pumps you up as if you got an adrenaline booster shot. In true Revocation style, the track builds up the intensity peppering the thrashy foundation with Death Metal flutters and neat tempo changes. Especially drummer Ash Pearson provides a lot of dynamics to this track with his crispy work and interesting fills. Midway through the track, one can hear a slow ambient guitar line nestled in the backdrop that imparts a hue of melody in the midst of all the chaos. It kicks into a nice solo soon after, before repeating the chorus and ending this strong opener in style.The one aspect that sets Revocation apart from the clutter of other Death Thrash/Tech-Death bands is its intensely engaging compositions. Tech-Death bands can become quite tedious to listen to and often in the quest for technicality, transgress the whole idea of delivering fist pumping, headbanging metal. However, that seldom happens with Revocation and that balance of technicality and raw power remains intact in their latest album as well. Take “The Exaltation” for example. This instrumental track effortlessly combines punchy groove laden Death/Thrash riffage at breakneck speeds with oodles of progressive tempo changes and deliver it with a machine like precision that simply cannot disappoint anyone who likes metal. It personifies the might of Revocation perfectly.In the past, some have complained that Revocation albums sound similar to each other and there is a lack of “evolutionary” progress in their albums. Although I don’t care much about such things but for the sake of that observation, I can easily claim that ‘Great Is Our Sin’ tears that argument to shreds. “Communion”, for example, has several moments that surpass the band’s previous attempts in terms of intensity, aggression and technicality. Roughly 2 minutes into the track, the progressive twist the band takes is something we haven’t seen Revocation employ much so far. And soon after it, David Davidson’s solo simply makes the track soar with bluesy licks and delectable harmonies ultimately leading into the storm that drummer Ash Pearson creates with a nice combination of blast beats and double bass, that will force you to raise those metal horns up.I felt “Communion” to be a turning point in the album from which the band starts to crank up the progressive elements in their compositions in the midst of the aggression. Tracks like “Only the Spineless Survive” ride on a slightly slower, thicker atmospheric base initially before exploding into their trademark style. The manner in which the band switches gears is amazing. For these reasons, I found the second half of the album much more enjoyable than the first. The album ends with a kickass rendition of Slayer’s “Altar of Sacrifice”.The theme of the album revolves around the folly of man not learning from the mistakes done in the past. The artwork too paints a picture on the similar lines featuring a human skull being scavenged by rats, maggots and vultures, depicting the ultimate price of the great sin. Chris “Zeuss” Harris who also produced ‘Deathless’ does a great job in providing a modern sound without distorting the organic feel of the compositions. Lengthwise, the album stands at 45 minutes that will definitely demand multiple spins from the listener.Revocation surpass expectations in their sixth album ‘Great Is Our Sin’. True to the band’s promise, it does seem to be one of the most potent, technical and abrasive releases they have made so far. Watch out for the progressive elements the band incorporates in the mix. It definitely makes one excited about the possibilities of newer directions for the band to take in the future

Line Up:

David Davidson Guitars, Vocals (2006-present) - See also: ex-Cormid, ex-Cryptic Warning, ex-Hot on the Heels
Dan Gargiulo Guitars, Vocals (2010-present) - See also: Artificial Brain, ex-Cyanide Breed, ex-Havok (live)
Brett Bamberger Bass (2012-present) - See also: Biclops, Day Without Dawn, East of the Wall, Publicist UK, The Postman Syndrome, ex-Binary Code (live)
Ash Pearson Drums (2015-present) - See also: ex-3 Inches of Blood, ex-Angel Grinder, Ritual Dictates, Sound of the Swarm, Trailight (live), ex-Just Cause (live)

Tracklist:

01. Arbiters of the Apocalypse 04:20
02. Theatre of Horror 04:33
03. Monolithic Ignorance 04:33
04. Crumbling Imperium 05:24
05. Communion 04:45
06. The Exaltation 03:40 instrumental
07. Profanum Vulgus 05:27
08. Copernican Heresy 03:44
09. Only the Spineless Survive 04:19
10. Cleaving Giants of Ice 04:22
11. Altar of Sacrifice (Slayer cover) 02:46

+ Video "Arbiters of the Apocalypse" (Official Video)


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Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

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Download links for all albums only on our blog here: http://goodmetalandhar.do.am/
Odkazy na stažení všech alb naleznete pouze na našem blogu zde: http://goodmetalandhar.do.am/

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